Pieces
(+ Tutorial Diversions and - Tutorialiana also listed separately)
Quatre refrains de la rue (2016), 19th c. gentrification dances for "HOME TOURISM," variable duration
14.538 Meters for C., V., E., & C. (2016), pacing mnemonics, variable duration
Kirnbach Hocket (2016), score and algorithm for Herbordt-Mohren's "Die öffentliche Probe," 90'
Schlussapplaus (2016), claquerie académique, 30'
THIRST MAP (2015-2016), narrative & listenings, variable duration
New House, Old Money, T.D. (2015), wavelength cartography, variable duration
Essex Crossing Pedometer (2015), 8 sportswear rulers & wavelengths for real estate quantification, variable duration
MUSTERHAUS (2014), sung spatial models in an empty department store, in collaboration with Janina Janke, 60'
THE ANONYMOUS INTIMACY OF AUDIBILITY IS INDEED AN ALTERNATIVE TO REPRODUCTIVE SEXUALITY (2014), wavelength mats, spatial models, variable duration
+ Britney Spears' "Everytime" (2014), earbud headphones, media player, score, 3'41''
Nuvole Detail Study (2014), video, 1'31''
+ Nuvole Detail (2013-2014), media player, score, 7'46''
Hypothetical Non-Attenuating Zuccotti Park Reflection Times (2013-2014), spatial models for group resyntheses of reflections, variable duration
+ Nuvole Detail Prototype with Holiday Vignettes (2013-2014), Tutorial prototype for continuous home-playback amplitude control, 10'40''
+ Home Jetty (2013), rotating, continuous Tutorial, 11'32''
La claque et le moi (2012-2013), exhibition viewing situation & object rubric
Adjacency Survey (2012-2013 / ongoing), montage stencil for 2-16 rooms and a single sound source, variable duration
+ LA PAROLE EST AUX USAGERS (2010-2013), Meta-Tutorial in Collaboration with Janina Janke for the Unité d'Habitation in Marseille
ALL DAY I'VE TRIED TO COMFORT HER (2012), video, 19'38'' [password on request]
+ DAS WORT HABEN DIE BENÜTZER (2010-2012), Meta-Tutorial in Collaboration with Janina Janke for the Unité d'Habitation in Berlin
+ D'Assoucy Serenade (2011- ), two-room, continuous Tutorial, 4'20''
+ Forty & Forty-two Part Motet (2011- ), multi-room, continuous Tutorial, 6'
- Il derubato che sorride (2011), video/tutorial addendum, 5'
+ Das Lied vom Wein (2005/2011), phrased Tutorial & scored seating, 4'44''
Some Applause for Doug (2010), live & pre-recorded applause in a concert situation, electronics, variable duration
DELUXE EDITION (2010) - collaboration with Sebastian Biskup, performed installation (variable length), 3'30'' CD, 12' concert piece
A golden-skinned Woman with Insects for Eyes (2010) - collaboration with Sergei Tcherepnin, serge synthesizer, accordion, headphone tutorial configuration, 15'
Preemptive Paix du Parnasse (2009-2010), recorder, violin, cello, 9'
+ 3-Part Dances (2009-2010), continuous Tutorial, 13'49''
+ "Rhythms Around the Chair" (2008-2010), rotating, phrased Tutorial, 7'56''
+ Stereo Pacing (Torn Curtain) (2006-2010), single-room, phrased Tutorial, 7'39''
+ Lo soffia il cielo...cosí (2006-2010), single-room, continuous Tutorial, 5'12''
BATH TRACKS AND MOVEMENTS CONSOLATION (2009), sounds and movements, variable duration
Eine Audienz mit dem Publikum (2009), video, 20'
La claque vide (2009), reader, claque, & projected images in a concert situation, 25'
She's dumb (2009), flute, vibraphone, piano, projected images, 24'
The Protectorate (2008), variable instrumentation, variable duration
Not an Exemplary Individual (2008), 1'
An Exemplary Individual (2008), 9 instruments played by children, 12'
Some Applause for Omaha (2008), pre-recorded applause & live applause, 0'30''
La claque d'Oslo (2008), claque in a concert situation, variable duration
WATERLOO (2007), 9 instruments played by adults & children's choir, 12'
La claque du Berlin (2007), claque in a public situation, variable duration
TOGETHER WE WILL LOVE THE BEAT (2007), 8 beats for 8 days & CD distribution, variable duration & 3'24'' CD
The Red Book and Tolerance (2007), 99 4'' lossless audio tracks on CD
- GEFROR'NE TROPFEN, Cinema in the Form of a Song (2005-2007), CD, Headphone, Loudspeaker, Texts, 60'
Weisst du, leise flehen meine Lieder (2006), church congregation, variable duration
Untitled Radio Piece (2006), 3 inserts for radio, 15'
- Das Lied vom Wein (2005), cd & scored seating, 16'
9-5 and 5-9, "Ich grolle nicht" (2005), piano duet, 2'
Koan 2/2004-2005 (2005), flute & piano, variable duration
50 Studies (2005), 50 receeding recordings, 34'
- 6 little Pieces (2004-2005), earbud headphones, media player, score, 4'
6 Liedchen to W. (2004), German speaker & English speaker, variable duration
Audience Projection (2004), live concert situation generated video, variable duration (8'36'' in 2004)
4 Chorales (2004), speaker & audience, variable duration
Untitled ("Wie wunderbarlich ist doch diese Strafe") (2004), organ, ca. 9'
Untitled ("Moonlight Sonata") (2004), piano, ca. 6'
64 Pages for 1-64 Performers (2004), score & 1-64 performers, durations from 64-2080''
6 Openings for Peter Ablinger (2004), 6 recordings, 4'
2 Pieces for 2 Performers & Music through Public Space (2003-2004), 2 performers, variable duration
Berlin Song (2003-2004), speaker & audience, variable duration
Concert Text (2003), text, variable duration
Triple Concert Piece Neukölln (2003), choir & audience, 5'
Eliding Ode Machine (2003), choir and electronics, variable duration
"Consonance precedes consonants" (2003), piano, asymptotal durations
Fugue Subject (for J. Schulte-Sasse) (2002-2003), 2 uninstrumented scores, 1'' & 2'08''
22 Consonants for Andrew Smith (2002-2003), piano(s) & performer, variable duration
"After the Interval" (Concert Piece imJC) (2002-2003), live sampled concert situation, variable duration
3-Months Study (2002), 2 violins, 4 bows, 3 performers, 3'15''
Nocturne (2002), piano & multiple performers, 2 x 3'
Texts / Publications (selection)
HOME TOURISM (2016)
8 Tutorial Diversions, 2009-2014 (2015)
Ear | Wave | Event (2014- ), co-edited with Woody Sullender
"Bearing" Liner Notes (2016)
"Berlin Exercises" Liner Notes (2016)
Rare Decays (2016)
A Postcard to Chris Mann (2016)
Experiments in Civility (2013-2014 / 2016), co-authored with Gavin Steingo
Chloë Bass Cruising the Dynamics of Relation (2014)
"Conceptual" Addenda (2015)
"Musical pleasure IS sexual pleasure" (2015), Interview with Martin Beck
"Conceptual" Addenda (2015)
Benjamin Patterson's lost PETs (2014)
Holiday Vignettes (2013)
Note to Sergei (2013)
Liminal Note (2013)
Tammy Wynette and the Shitfaced Boy (2013)
MARINA ROSENFELD LOVES YOU (2013)
Listening to MaerzMusik Listen to John Cage (2012)
"Sound Must be More than Just a Signifier" (2012), in Conversation with C.C. Hennix
Peter Ablinger Sings Whitney Houston (2012)
Composing Listening (2010-2011)
Sergei Tcherepnin (2010)
Maryanne Amacher (2009)
Subprimekrise der Neuen Musik (2009)
Paragraph 7 (2008)
Angry Lecture (2008)
"-sand and seven, -sand and seven" (2008)
Leitmotifs (2007)
The Possibility of Improvisation/The Impossibility of Music (2004)
After the Interval (Concert Piece imJC) (2004)