Pieces
(+ Tutorial Diversions and - Tutorialiana also listed separately)
+ DAS WORT HABEN DIE BENÜTZER / LA PAROLE EST AUX USAGERS (2010- ), Meta-Tutorial in Collaboration with Janina Janke for the Unités d'Habitation in Berlin & Marseille
+ Das Lied vom Wein (2005/2011), phrased Tutorial & scored seating, 4'44''
+ D'Assoucy Serenade (2011- ), two-room, continuous Tutorial, 4'20''
+ Forty & Forty-two Part Motet (2011- ), multi-room, continuous Tutorial, 6'
- Il derubato che sorride (2011), video/tutorial addendum, 5'
Some Applause for Doug (2010), live & pre-recorded applause in a concert situation, electronics, variable duration
DELUXE EDITION (2010) - collaboration with Sebastian Biskup, performed installation (variable length), 3'30'' CD, 12' concert piece
A golden-skinned Woman with Insects for Eyes (2010) - collaboration with Sergei Tcherepnin, serge synthesizer, accordion, headphone tutorial configuration, 15'
Preemptive Paix du Parnasse (2009-2010), recorder, violin, cello, 9'
+ 3-Part Dances (2009-2010), rotating, continuous Tutorial, 13'49''
+ "Rhythms Around the Chair" (2008-2010), rotating, phrased Tutorial, 7'56''
+ Stereo Pacing (Torn Curtain) (2006-2010), single-room, phrased Tutorial, 7'39''
+ Lo soffia il cielo...cosí (2006-2010), single-room, continuous Tutorial, 5'12''
BATH TRACKS AND MOVEMENTS CONSOLATION (2009), sounds and movements, variable duration
Untitled Video (2009), DVD, 15'
La claque vide (2009), reader, claque, & projected images in a concert situation, 25'
She's dumb (2009), flute, vibraphone, piano, projected images, 24'
The Protectorate (2008), variable instrumentation, variable duration
Not an Exemplary Individual (2008), 1'
An Exemplary Individual (2008), 9 instruments played by children, 12'
Some Applause for Omaha (2008), pre-recorded applause & live applause, 0'30''
La claque d'Oslo (2008), claque in a concert situation, variable duration
WATERLOO (2007), 9 instruments played by adults & children's choir, 12'
La claque du Berlin (2007), claque in a public situation, variable duration
TOGETHER WE WILL LOVE THE BEAT (2007), 8 beats for 8 days & CD distribution, variable duration & 3'24'' CD
- GEFROR'NE TROPFEN, Cinema in the Form of a Song (2005-2007), CD, Headphone, Loudspeaker, Texts, 60'
Weisst du, leise flehen meine Lieder (2006), church congregation, variable duration
Untitled Radio Piece (2006), 3 inserts for radio, 15'
- Das Lied vom Wein (2005), cd & scored seating, 16'
Koan 2/2004-2005 (2005), flute & piano, variable duration
50 Studies (2005), 50 receeding recordings, 34'
- 6 little Pieces (2004-2005), earbud headphones, media player, score, 4'
6 Liedchen to W. (2004), German speaker & English speaker, variable duration
4 Chorales (2004), speaker & audience, variable duration
6 Openings for Peter Ablinger (2004), 6 recordings, 4'
2 Pieces for 2 Performers & Music through Public Space (2003-2004), 2 performers, variable duration
Berlin Song (2003-2004), speaker & audience, variable duration
Concert Text (2003), text, variable duration
Triple Concert Piece Neukölln (2003), choir & audience, 5'
22 Consonants for Andrew Smith (2002-2003), piano(s) & performer, variable duration
"After the Interval" (Concert Piece imJC) (2002-2003), live sampled concert situation, variable duration
Texts (selection)
Listening to MaerzMusik Listen to John Cage (2012)
"Sound Must be More than Just a Signifier" (2012), in Conversation with C.C. Hennix
Peter Ablinger Sings Whitney Houston (2012)
Composing Listening (2010-2011)
Sergei Tcherepnin (2010)
Maryanne Amacher (2009)
Subprimekrise der Neuen Musik (2009)
Paragraph 7 (2008)
Angry Lecture (2008)
"-sand and seven, -sand and seven" (2008)
The Possibility of Improvisation/The Impossibility of Music (2004)
After the Interval (Concert Piece imJC) (2004)