Bill Dietz

Dates, Information

2026 | 2025-26 | 2025 | 2024-25 | 2024 | 2023 | 2022 | 2021-22 | 2021 | 2020 | 2019-20 | 2019 | 2018-19 | 2018 | 2017-18 | 2017 | 2016-17 | 2016 | 2015 | 2014 | 2013 | 2012-13 | 2012 | 2011 | 2010 | 2009 | 2008

April 8th, 2026, CAFE OTO, London
Sharing a bill with Al Karpenter and Triple Negative
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March 24th, 2026, Public Records (Creative Time), New York City
"Chloë Bass Record Release Party," with an extended version of The name announcing nothing but itself and the memory of what you were doing and thinking other times you passed this way.
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March 24th, 2026, Creative Time, New York City
My piece, The name announcing nothing but itself and the memory of what you were doing and thinking other times you passed this way., is released on "Chloë Bass: If you hear something, free something"
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March 9th, 2026, The Ear Inn, New York City
Jasmine Amussen and my FRIENDS ARE WEAPONS
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March 9th, 2026, Whitney Museum of American Art (Whitney Biennial), New York City
Speaking with Aki Onda and Patrick Flores as a part of "Listening to José Maceda: A Conversation with Aki Onda"
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January 30th, 2026, kunst uni graz (MUMUTH), Graz
Notes and an interview with Jeremy Woodruff about Peter for "Ein Abend im Zeichen Peter Ablingers"

October 17th, 2025 - February 6th, 2026, AdBK, Nuremberg
"Embodiments. Body Gaps. Gap Bodies.," Seminar co-taught with Kerstin Stakemeier

November 19th, 2025, The Cooper Union, New York City
Guest talking with Chloe Bass in Doug Ashford's class
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November 12th, 2025, Winona (KASK & Conservatorium), Brussels
Sharing a bill with Marija Cetinic for the "More Than This / Negotiating Realities" series
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October 2nd, 2025, International Museum of Surgical Science, Chicago
Performance for Itsi Ramirez and Bret Schneider's "Refining the Third Ear: A Psychoacoustic Phantasmagoria"
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September 28th, 2025, Vitra Design Museum, Weil am Rhein
New iteration of Hong-Kai and my "Singing is what makes work possible" as a part of Mea Hoffmann's Shaker exhibition
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September 12th, 2025, Occasional Papers, Antwerp
Release of Slow Reading Club's Repondeur - with new texts by Alicja Melzacka, Joyelle McSweeney, and me
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August 30th, 2025, Bridewell Studios (Independents Biennial), Liverpool
"Performance and Sound Explorations" - workshops in the day and performances in the evening with Jon Davies, Ashley Holmes, Lola de la Mata, & Mary Prestige
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July 31st + August 1st, 2025, Darmstadt Summer Course, Darmstadt
GLIA x2
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July 28th, 2025, Darmstadt Summer Course, Darmstadt
Introducing (with Amy Cimini) a day of lectures about Maryanne Amacher and a new version of the Paris talk retitled: "Maryanne Amacher in Gaza"
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June 14th, 2025, KoncertKirken (Klang Festival), Copenhagen
GLIA
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June 2nd - July 25th, 2024, Bard College, Annandale-on-Hudson
Co-Chairing Music/Sound in the Milton Avery Graduate School of the Arts
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April 21st, 2025, Otoliths in Flux (Stegi Radio), Athens (online)
Conversation about MA with Manos Saklas
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March 27th, 2025, Edicoes CN, Antwerp
Liner Notes for Slow Reading Club & Charlie Usher's LEARNING
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March 27th, 2025, Pinault Collection, Paris
GLIA
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March 25th, 2025, Ecole des Arts de la Sorbonne, Paris
"I must discover actual ways of destroying their existence perceptually" in Mathieu Saladin's Reflexio series
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March 7th, 2025, UCL Institute of Advanced Studies, London
Lecture-performance as the closing of the "Audiences, Publics, Experience: Rethinking Music Reception" conference
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March 6th, 2025, UCL Institute of Advanced Studies, London
Amy Cimini and my new talk as a part of the "Audiences, Publics, Experience: Rethinking Music Reception" conference

October 17th, 2024 - February 7th, 2025, AdBK, Nuremberg
"The end of some-one's idea of property is the beginning of a process that will eventually make some really pretty rocks," Seminar
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October 17th, 2024 - February 7th, 2025, AdBK (Live Art Forms), Nuremberg
"Toward a Political Aesthetics of Reception," Seminar

November 23rd - 24th, 2024, DAAD Galerie, Berlin (remote)
"Dear Neighbors," with DAF
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November 21st, 2024, STUK, Leuven
GLIA
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November 13th, 2024, L'erg, Brussels
"Listening is a problem," lecture and workshop at the invitation of Marialena Marouda
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November 5th, 2024, Yale NUS, Singapore (remote)
Guest lecture with Hong-Kai Wang in Christoph Robert Draeger's seminar
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June 15th-16th, 2024, 7hours Haus 19, Berlin
"Family Matters"
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June 3rd - July 26th, 2024, Bard College, Annandale-on-Hudson
Co-Chairing Music/Sound in the Milton Avery Graduate School of the Arts
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May 31st, 2024, Flanders Art Institute, Brussels
"Truth to Power in the Arts" Panel
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May 9th, 2024, Overtoon, Brussels (online)
Episode 05 of Instead of "sound art," say: abrasion, a dirge, willed from the other side of a leaky room, undisciplined, celebrative, dangerous, always emerging featuring Aurelie Nyirabikali Lierman
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April 3rd, 2024, Le Lieu Unique (Ensemble Contrechamps), Nantes
GLIA
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March 28th, 2024, Overtoon, Brussels (online)
Episode 04 of Instead of "sound art," say: abrasion, a dirge, willed from the other side of a leaky room, undisciplined, celebrative, dangerous, always emerging featuring Jennie C. Jones
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March 21st, 2024, Overtoon, Brussels (online)
Episode 03 of Instead of "sound art," say: abrasion, a dirge, willed from the other side of a leaky room, undisciplined, celebrative, dangerous, always emerging featuring Benjamin Piekut
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March 6th & 7th, 2024, L'Auditori (Ensemble Contrechamps), Barcelona
2x GLIA
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February 29th, 2024, Wavefarm (John Cage Trust), Annandale-on-Hudson
Facilitating Desiree Mwalimu-Banks' A Chance Operation: Morphogenic Resonance and The Radio Spectrum
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February 22nd, 2024, Overtoon, Brussels (online)
Episode 02 of Instead of "sound art," say: abrasion, a dirge, willed from the other side of a leaky room, undisciplined, celebrative, dangerous, always emerging featuring Budhaditya Chattopadhyay
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February 17th-18th, 2024, Gstaad Art, Gstaad
Morphism Derivation featured in Piper Marshall, Kolja Glaeser, and Cammisa Buerhaus' "Artists' Scores, Scenarios, and Instructions"
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February 15th, 2024, Overtoon, Brussels (online)
Episode 01 of Instead of "sound art," say: abrasion, a dirge, willed from the other side of a leaky room, undisciplined, celebrative, dangerous, always emerging featuring Nikita Gale

December 20th, 2023, Joyfully Waiting
A print version of Katz Tepper and my Homebodies
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November 18th, 2023, Fridman Gallery (Bard MFA), New York City
Fridman Gallery presents Bard MFA presents Bard Choir
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November 1st, 2023, Kunsthalle Bern, Bern
Mismatch Negativity Accretion culminates in some kind of performance on a double bill with Nina Emge as a part of "every instant is at once"
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October 17th, 2023, BIENNALE MUSICA 2023 (La Biennale di Venezia), Venice
Roundtable with Morton Subotnick, Lucy Railton, and Remco Schuurbiers
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October 16th, 2023, BIENNALE MUSICA 2023 (La Biennale di Venezia), Venice
More GLIA
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October 13th - December 3rd, 2023, Kunsthalle Bern, Bern
My Mismatch Negativity Accretion as a part of "every instant is at once," curated by Kabelo Malatsie and Julia K nzi
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July 26th, 2023, Montez Press Radio (Wendy's Subway)
Josephine Sale's "SPK: Turn Illness into a Weapon: An Audio-English Translation" with a few pages read by yours truly
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June 5th - July 28th, 2023, Bard College, Annandale-on-Hudson
Co-Chairing Music/Sound in the Milton Avery Graduate School of the Arts
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June 3rd, 2023, CLOT Magazine
"The sound entities of Maryanne Amacher: empowering the body for sensations" - interviewed by Olya Karlovich
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May 2023, MusikTexte, Issue 177
Contribution to James Saunders & Matt Sergeant's "What do composers do all day?" Project
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April 24th, 2023, Ear | Wave | Event
Issue SEVEN - guest edited by KITE
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April 1st, 2023, Hong Kong Fringe Club (Hong Kong New Music Ensemble), Hong Kong
Hong-Kai Wang & my brand new collaboration - Everything floated. My teeth are coming in. The stars intersect. - written for Samson Young's "Shapes Songs"
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March 18th, 2023, sane kulturhus (Borealis Festival), Bergen
Restaging Maryanne Amacher's GLIA
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March 16th, 2023, Bergen Kunsthall (Borealis Festival), Bergen
Talking with Axel Wieder about Maryanne Amacher
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February 16th, 2023, Secession, Vienna
A Conversation with Christine Sun Kim
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February 2nd & 3rd, 2023, Radialsystem (CTM Festival), Berlin
Restaging Maryanne Amacher's GLIA x2
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February 2nd, 2023, Morphine Raume (CTM Festival), Berlin
"Ghost Written Scenarios & Unnamed Sensibilities"
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February 2023, Secession (Koenig Verlag), Vienna
Some staves for Christine Sun Kim's DRAW A BLANK
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February 2023, Positionen, Issue 134
A translation of my Rutgers talk

December 14th, 2022, Rutgers Mason Gross School of the Arts, New Brunswick
Visiting Artist thing
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November 25th, 2022, Overtoon - Platform for Sound Arts, Brussels
Appointed Artistic & General Director
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November 21st, 2022, Carnegie Mellon University, Pittsburgh (online)
Amy Cimini & I talking about MA as a part of Annie Hui-Hsin Hsieh's "Body Doubles" project
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November 10th - 11th, 2022, Ygrec (ENSAPC), Paris-Cergy
Workshop & performances as a part of Hong-Kai Wang's "LISTENING FOR THE NOT YET ARTICULATED THOSE OLD SONGS"
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November 5th, 2022, Wavefarm / WGXC
Rebroadcast of Amy Cimini and my 2021 appearance on Laura Kuhn's "All Things Cage" program
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September 29th - October 15th, 2022, Alte M nze (Menstruation Project), Berlin
Short guidebook text about the bits of Terre Thaemlitz's Deproduction included in the show
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September 28th, 2022, FHNW / DER TANK OF THE INSTITUTE ART GENDER NATURE
Podcast version of The Phantasmic, Phobic Body That We Share
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September 5th, 2022, Les presses du r el
Elena Biserna's "Walking from Scores" book, including two scores of mine
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August 12th, 2022, Joyfully Waiting VIII ("Echoes")
Homebodies - text & audio collaboration with Katz Tepper
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August 2022, Artspeak, Vancouver
Hong-Kai Wang's "Violet Quartz" includes my Because of love I try to learn to want to sleep
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June 7th, 2022, SWR2 ("JetztMusik")
Lutz Neitzert's show "Bluenotes in Donaueschingen" features and closes with Instance No. 37 from L cole de la claque
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June 6th - July 29th, 2022, Bard College, Annandale-on-Hudson
Co-Chairing Music/Sound in the Milton Avery Graduate School of the Arts
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May 30th, 2022, e-flux ("You Can't Trust Music")
Excerpts from and a new preface to Gavin Steingo & my "Experiments in Civility"
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April 30th, 2022, ZONNEKLOPPER ("Oscillation Festival"),
A Round Table for Elena Biserna's "Public Address" edition of the festival
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April 29th, 2022, Atoma ("Oscillation Festival"), Brussels
"My Ears, The Police" for Elena Biserna's "Public Address" edition of the festival
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March 30th - April 6th, 2022, "As We Leave The Window Open" (online)
THE ANONYMOUS INTIMACY OF AUDIBILITY IS INDEED AN ALTERNATIVE TO REPRODUCTIVE SEXUALITY (2nd try)
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March 17th, 2022, FHNW / DER TANK OF THE INSTITUTE ART GENDER NATURE, Basel
The Phantasmic, Phobic Body That We Share as a part of Chus Mart nez and Quinn Latimer's "AGES OF RECEIVERSHIP: ON GENEROUS LISTENING" symposium
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March 11th, 2022, e-flux (Projects)
Launch of Xenia Benivolski's year long "You Can't Trust Music" project based on Gavin Steingo & my "Experiments in Civility"
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February 2022, MusikTexte
A small note on Peter Ablinger's "NOW! Writings 1982-2022"
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January 30th, 2022, FORM IV, #20
Meadowlands P.S.

October 21st, 2021 - February 5th, 2022, AdBK, N rnberg
"'Coming to our senses' - Receptivity and Dispossession," co-taught with Kerstin Stakemeier

September 29th, 2021, MAO (SONICA Festival), Ljubljana
"Detected by Unnamed Sensibilities," a keynote on Maryanne Amacher
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August 25th, 2021, New York Public Library
"Remote Links - A celebration of Maryanne Amacher's Life and Work" featuring Sumanth Gopinath
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September 11th - November 21st, 2021, Haus der Kulturen der Welt, Berlin
EXPOSURE TO FREQUENCIES FROM 43-48Hz CAUSES THE WINDOW PANES ALONG THE WEST GALLERY WALL TO VIBRATE SYMPATHETICALLY SUCH THAT AT SUFFICIENT INTENSITY THEY WILL SHATTER + a text about Raven Chacon + an "as told to" with Ciar n Finlayson, for Kerstin Stakemeier and Anselm Franke's "Illiberal Arts"
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September 10th, 2021, b_books, Berlin
"Illiberal Arts" catalogue
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August 25th, 2021, New York Public Library
"Remote Links - A celebration of Maryanne Amacher's Life and Work" featuring Shannon Mattern
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July 22nd, 2021, TANZNACHT, Berlin
My small new Another Drought Twilight Finale Allegro I Know as a part of SLOW READING GROUP's "Lurker Moxie Heart" program
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July 17th, 2021, Wavefarm / WGXC
Amy Cimini and I are guests of Laura Kuhn in her "All Things Cage" program
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July 17th, 2021, UNMUTE, Guangzhou
Hong-Kai Wang and my "Singing is what makes work possible" is a part of the online exhibition "Attempted On-site" curated by Wang Jing
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July 9th - August 8th, 2021, C I.II.III.IV. A, Brussels
An exhibition iteration of Elena Biserna's "Walking from Scores"" project including a couple of mine
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June 7th - July 30th, 2021, Bard College, Annandale-on-Hudson
Co-Chairing Music/Sound in the Milton Avery Graduate School of the Arts
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June 3rd, 2021, New York Public Library
"Remote Links - A celebration of Maryanne Amacher's Life and Work" featuring Roshanak Kheshti
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May 31st, 2021, reboot.fm (Lautstrom), Berlin
reboot.fm re-releases a 2011 interview with Anna Bromley
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May 26th, 2021, Kunsthalle Wilhelmshaven
The catalogue for Chloe & my TRADE SHOW with an essay by Kerstin Stakemeier!
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May 15th, 2021, TOP, Guangzhou (online)
Returning to "Singing is what makes work possible" with Hong-Kai Wang
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May 10th, 2021, New York Public Library
"Remote Links - A celebration of Maryanne Amacher's Life and Work" featuring Darla Migan
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May 3rd, 2021, New York Public Library
"Remote Links - A celebration of Maryanne Amacher's Life and Work" featuring Arthur Jafa
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April 30th, 2021, Klangwerkstatt, Berlin (online)
Many traces of Zwischent ne & Klangwerkstatts past in their 30th anniversary exhibition
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April 29th, 2021, AdBK Nuremberg
UNIVERSAL RECEPTIVITY!!! - in print and online, with Kerstin Stakemeier and many others
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April 29th - May 2nd, 2021, Oscillation Festival, Brussels (online)
Each clap is always also for the world.
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April 14th, 2021, The Cooper Union, NYC (online)
Receptivities talk with Fia Backstr m's 4DD class
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April 12th, 2021, CUNY Grad Center (Art Science Connect), NYC (Online)
"Unnamed Sensibilities" with Amy Cimini, moderated by David Grubbs
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April 5th, 2021, New York Public Library
"Remote Links - A celebration of Maryanne Amacher's Life and Work" featuring Marina Rosenfeld
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March 26th, 2021, Flash Art
Amy Cimini and I in dialogue with Kate Galloway about the Amacher book
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March 23rd, 2021, New York Public Library
"Remote Links - A celebration of Maryanne Amacher's Life and Work" featuring Suzanne Kite
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March 10th, 2021, New York Public Library
"Remote Links - A celebration of Maryanne Amacher's Life and Work" featuring Matana Roberts
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February 22nd, 2021, New York Public Library
Introduction to "Remote Links - A celebration of Maryanne Amacher's Life and Work" with Amy Cimini
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February 22nd, 2021, Mills College (Songlines ), Oakland (Online)
"A Step into It: Maryanne Amacher s Mini Sound Series" with Amy Cimini
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February 3rd (postponed to the 10th!), 2021, Pratt Institute, Brookyln (online)
Responding to Fia Backstr m and Pradeep Dalal's "Photography in the Sensorium"
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January 8th, 2021, New York Public Library + Serralves
Introduction to "Remote Links - A celebration of Maryanne Amacher: Selected Writings and Interviews"
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January 8th, 2021, Serralves, Porto (Online)
A Seminar + Listening Session with Amy Cimini for "ADDITIONAL TONES: A Tribute to Maryanne Amacher"
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January 3rd, 2021, DOORS UNLIMITED, Accord (Online)
An "Investigative Operatics" session on Maryanne Amacher and Jose Maceda co-facilitated with Julia Santoli

December 8th, 2020, Blank Forms
"Selected Writings and Interviews of Maryanne Amacher," selected and introduced and including a new interview with Keiko Prince, Kabir Carter, Amy, and I
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November 19th, 2020, Wroclaw Contemporary Museum (rozkurz), Wroclaw
The simplest way to get rid of information is to reduce the sensitivity of the receptors for Pawel Szroniak's "Over-interpretations" show
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October 23rd, 2020, University of Wroclaw, Wroclaw
Pawel Szroniak talks about TDs in his "Extended Listening and It s Choregraphies" for "The Second Life Of Recorded Sounds" conference
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September 2020, Tanznacht Berlin
"Strobe Light Sink Hole" written with Slow Reading Club toward our 2021 collaboration
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August 7th, 2020, Tulsa Noise Fest
Streaming Presentation of All Day I Tried to Comfort Her; Tammy Wynette in Various Inadequate Displacements
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August 4th, 2020, Zentrum Architektur Z rich, Bellerive
"'The Growth of Listening Minds - an introduction to the work of Maryanne Amacher and Bill Dietz" for "H.Q. 3 - City Links"
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August 2nd, 2020, Zentrum Architektur Z rich, Bellerive
3-Part Dances for "H.Q. 3 - City Links"
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August 2020, Blank Forms
"Polemical" Liner Notes about & an Interview with Catherine Christer Hennix
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July 18th, 2020, Minus Plato
Mini-Interview with Hong-Kai Wang, Minus Plato, and I
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July 6th - December 11th, 2020, Bard College, Online / Annandale-on-Hudson
Co-Chairing Music/Sound in the Milton Avery Graduate School of the Arts
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May 2020, Shelter Press
Introducing yet another text by Maryanne Amacher in SPECTRES 2: Resonances
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March 12th, 2020, New York Public Library for the Performing Arts, New York City
Amy Cimini & I celebrate the arrival of the Maryanne Amacher collection at the NYPL [POSTPONED]
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March 2020, Blank Forms
Micah Silver and I introduce a text by Maryanne Amacher in Blank Forms Magazine
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February 27th, 2020, Reina Sof a Museum (Radio Reina Sof a), Madrid
Hong-Kai Wang & my "Singing is what makes work possible" (Syllabus)
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February 20th, 2020, Bloomsbury
Elen Fl gge's "Sounding in Paths, Hearing through Cracks. Sonic Art Practices and Urban Institutions" in The Bloomsbury Handbook of Sound Art talking about Tutorial Diversions & claque pieces
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February 3rd, 2020, Ear | Wave | Event
Issue 5!!!
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January 20th, 2020, SWR2 Jetztmusik, 23:03 CET
Lutz Neitzert's feature on "Das Festival" and Lag Model ("By 2030 everything will be good")

November 15th, 2019 - January 12th, 2020, Kunsthalle Wilhelmshaven, Wilhelmshaven
TRADE SHOW with Chlo Bass

December 3rd, 2019, Ear | Wave | Event
Issue 5 - Phase 1
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November 27th - December 4th, 2019, LTK4, Cologne
Steffen Krebber realizes my "modernist anti-clock" dream
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October 31st - November 2nd, 2019, Theater Rampe / Die Institution, Stuttgart
Lag Model ("By 2030 everything will be good") for "Das Festival"
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October 17th - 20th, 2019, Donaueschinger Musiktage / Die Institution, Donaueschingen
Lag Model ("By 2030 everything will be good") for "Das Festival"
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July 12th, 2019, Tubby's, Kingston
"Mattin with Billy Dietz"
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June 16th, 2019, Sunview Luncheonette, Brooklyn
Ear | Wave | Event Release Party!
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June 10th - August 2nd, 2019, Bard College, Annandale-on-Hudson
Co-Chairing Music/Sound in the Milton Avery Graduate School of the Arts
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June 7th - June 22nd, 2019, Oncurating Space, Zurich
Lag Monument as a part of the "Small Projects for Coming Communities" exhibition
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June 4th, 2019, Ear | Wave | Event
Issue 4 - in print!!!
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May 31st, 2019, ICA (Kammerklang / Contrechamps), London
Restaging Maryanne Amacher's GLIA
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May 31st, 2019, ICA (Kammerklang), London
"Ghost Written Scenarios & Unnamed Sensibilities" - a talk with Amy Cimini
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May 30th, 2019, ICA (Kammerklang), London
A Talk with Amy Cimini
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May 11th - June 15th, 2019, Katholisches Bildungswerk, Stuttgart
Lag Monument as a part of the "Small Projects for Coming Communities" exhibition
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May 11th, 2019, Hospitalhof Stuttgart, Stuttgart
Lag Monument Tutorial as a part of the "Small Projects for Coming Communities" exhibition
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May 7th, 2019, Studio Ernest-Ansermet (Contrechamps), Geneva
Restaging Maryanne Amacher's GLIA
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May 6th, 2019, Centre d'Art Contemporain Gen ve (Contrechamps), Geneva
Introducing TORSE
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April 29th, 2019, Argos (Oscillation Festival), Brussels
Introducing and Discussing TORSE
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April 24th, 2019, BWA Wroclaw Glowny Gallery, Wroclaw
A Composing Listening Workshop as a part of the "WE WILL ALL MEET IN THE SAME PLACE" exhibition
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April 13th, 2019, Holy Apostles & the Mediator (Bowerbird), Philadelphia
An Amacher workshop
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April 12th - 13th, 2019, Holy Apostles & the Mediator (Bowerbird), Philadelphia
SUPREME CONNECTIONS
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April 9th, 2019, Kislak Center (Bowerbird), Philadelphia
Talking about Maryanne Amacher
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March 26th, 2019, Princeton University, Princeton
A talk & workshop with Hong-Kai Wang
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March 19th, 2019, Cornell University, Ithaca
Claque talk with Ben Piekut's "Institutions & Critique" class
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March 17th, 2019, The Artist's Institute, New York City
Talking with Fumi Okiji & Marina Rosenfeld about "radical receptivity" as a part of Marina's show
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March 15th - April 6th, 2019, Remote Viewing, Philadelphia
"Singing is what makes work possible" with Hong-Kai Wang
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March 2019, Positionen, Issue 118
A "Mediation" between Diego Grossmann & I
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February 23rd, 2019, Brenzkirche, Stuttgart
Introducing Lag Monument toward the "Small Projects for Coming Communities" show
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February 14th, 2019, Independent Curators International, New York City
Release of Chlo Bass' "What is shared, What is offered" publication including our conversation
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February 1st - June 2nd, 2019, Sankturbanhof Suree, Sursee
LET THE USER SPEAK NEXT as a part of "Nachbarn - Freund und Leid!"

October 22nd, 2018 - January 26th, 2019, AdBK, N rnberg
"Universal Receptivity. ber Formen entgrenzter Partizipation," co-taught with Kerstin Stakemeier

December 11th, 2018, CUE Art Foundation, New York City
"Politesse against the Social" comes out in Chlo Bass' Book of Everyday Instruction catalogue
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November 27th, 2018, BcmA, Berlin
Reading "Bottoming Autonomy" as a part of Rishin Singh's exhibition
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November 9th, 2018, ECAL, Lausanne
An Amacher listening session with Amy Cimini
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November 8th, 2018, ECAL, Lausanne
An Amacher seminar with Amy Cimini
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November 2nd, 2018, KCAI Crossroads Gallery, Kansas City
Some notes on Nathan Young's show
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September 21st, 2018, Museum of Modern Art in Warsaw, Warsaw
Answer to Mattin & Pawel Nowozycki's SOURCE THE CAUSE SOUND, MUSIC, POLITICS & IDEOLOGY TODAY
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August 9th, 2018, Triangle Arts Association, New York City
Literacy of the Throat - a Meeting with Chris Mann & Hong-Kai Wang
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July 19th, 2018, Darmst dter Ferienkurse, Darmstadt
"Gender, Audience & Affect" with Amy Cimini & Christabel Stirling
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July 18th, 2018, Darmst dter Ferienkurse, Darmstadt
"Methodologies of Diversity" with Hannah Kendall and Stellan Veloce
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July 17th, 2018, Darmst dter Ferienkurse, Darmstadt
"Reflections on Maryanne Amacher" with Amy Cimini
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June 29th - July 31st, 2018, Museum Steintor, Bernau
Exhibition & publication of "ANKOMMEN. bauen wohnen leben" with documents of our Meyer piece and my note on it
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June 23rd, 2018, Brooklyn Museum, Brooklyn
Claque Workshop in conjunction with David Levine's show
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June 11th - August 3th, 2018, Bard College, Annandale-on-Hudson
Co-Chairing Music/Sound in the Milton Avery Graduate School of the Arts
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June 4th - 9th, 2018, Sandhills Institute, Rushville
Avec Chlo Bass
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May 26th - 27th, 2018, Standards, Milan
Elena Biserna's "Walking from Scores" Project with Quatre refrains de la rue
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May 25th - 27th, 2018, Issue Project Room, Brooklyn
An EWE QUIZ! for "Regenerative Feedback"
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May 18th, 2018, UdK, Berlin
"FEM*Music*Archiv," talking about Hartman, Amacher, M ller, & Donaueschingen
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March 31st, 2018, Artists Space (Blank Forms), New York City
"Anywhere City: Maryanne Amacher at the Center for Advanced Visual Studies MIT, Listening Session & Screening"
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March 30th, 2018, Bell Labs (Blank Forms), Murray Hill
" Live Space: Maryanne Amacher at the Center for Advanced Visual Studies MIT Symposium"
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March 22nd, 2018, hr2 Kultur, Berlin, 21:30 CET
Martina Seeber's feature about L' cole de la claque
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March 21st - April 29th, 2018, Bauhaus-Archiv, Berlin
"TOTALE ARCHITEKTUR" in collaboration with Janina Janke
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March 9th - 10th, 2018, Sophiensaele, Berlin
"DER MONOLOG again
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March 6th, 2018, Princeton University, Princeton
Talking about L' cole de la claque for Gavin Steingo
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February 28th, 2018, La Monnaie (Q-O2 & Ictus), Brussels, L' cole de la claque
A workshop for the "Sound & Participation" symposium
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February 26th, 2018, KASK MIRY Concert Hall (Q-O2 & Ictus), Brussels
"Feelings Are Alternative Facts," a talk for the "Sound & Participation" symposium
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February 19th, 2018, DAI, Epen
"PLANETARY CAMPUS: The Kitchen"
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February 18th, 2018, Schunck (DAI), Heerlen
"Bottoming Autonmy" for Kerstin Stakemeier & Marina Vishmidt's SEX, POETRY, AND NOTHING: ABOLITION SALON
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January 22nd, 2018, SWR2 Jetztmusik, 23:03 CET
Lutz Neitzert's feature about L' cole de la claque
-
January 20th, 2018, Kunstverein D sseldorf, D sseldorf
Talking with Kerstin Stakemeier about her "ENTGRENZTER FORMALISMUS" as a part of KLASSENSPRACHEN
-
January 14th, 2018, SPACE TIME, San Diego
An Amacher seminar and screening with Amy Cimini and Justin Morrison

November 26th, 2017 - March 25th, 2018, V gele Kultur Zentrum, Pf ffikon
LET THE USER SPEAK NEXT as a part of "Hallo, Nachbar!"

October 2017, ONCURATING.org
L' cole de la claque (the book)
-
October 19th - 22nd, 2017, Donaueschinger Musiktage, Donaueschingen
L' cole de la claque (the piece)
-
October 1st, 2017, Bauhaus Bundesschule ( ANKOMMEN. bauen wohnen leben / Tag der Stiftungen), Bernau
New work with Janina Janke and Julie R ter
-
September 23rd, 2017, Im Stavenhof (CityLeaks / gerngesehen), Cologne
Stavenhofer Latency Architecture - in collaboration with Jordan Topiel Paul
-
September 15th, 2017, Bauhaus Bundesschule ( ANKOMMEN. bauen wohnen leben ), Bernau
New work with Janina Janke and Julie R ter
-
August 24th, 2017, Ear | Wave | Event
Issue 3 - the SEX issue!!!
-
August 2017, Positionen, Issue 112
A note about L' cole de la claque
-
June 12th - August 4th, 2017, Bard College, Annandale-on-Hudson
Co-Chairing Music/Sound in the Milton Avery Graduate School of the Arts
-
June 8th, 2017, Independent Curators International, New York City
"What is shared, What is offered." with Chlo Bass
-
June 2017, Blanks Forms
Reprint of Rare Decays in Blank Forms Magazine
-
May 10th, 2017, Akademie der K nste (UDK), Berlin
"Listening Tribute to Pauline Oliveros" with Kirsten Reese
-
May 5th, 2017, Akademie Schloss Solitude, Stuttgart
THIRST MAP as a part of "The Social Life of the Universe"
-
May 2017, GOD Records, GOD 41
Liner Notes for Christian Wolff's Berlin Exercises played by Ensemble Zwischent ne
-
April 27th - 29th, 2017, Theater Rampe (Die Institution), Stuttgart
Music for "DER MONOLOG"
-
April 18th - July 28th, 2017, Academy of Media Arts
"L' cole de la claque" (seminar)
-
April 1st, 2017, exMedia Blog (KHM), "thinking about / working on"
An interview
-
February 24th - 26th, 2017, Stedelijk Museum (Sonic Acts), Amsterdam
SUPREME CONNECTIONS presents Maryanne Amacher's "Mini Sound Series"
-
February 2017, Psych.KG 373
THIRST MAP (Breathe-Along) with pieces by Ablinger, Johannson, & Hjuler
-
February 2017, MusikTexte, Issue 152
UMBRAL review
-
February 2017, MusikTexte, Issue 152
Pauline Oliveros memorial
-
January 20th, 2017, Object Collection
Adjacency Survey iteration for NOTES FOR SUB-UNDERGROUND

October 27th, 2016 - February 10th, 2017, Academy of Media Arts, Cologne
"Music, 'Mute Speech,' Material Intelligence"

December 13th, 2016, de Appel (Sonic Acts), Amsterdam
"The Maryanne Amacher Archive: 'Mini Sound Series Listening Session"
-
December 12th - 13th, 2016, Stedelijk Museum (Sonic Acts), Amsterdam
"The Maryanne Amacher Archive: 'Mini Sound Series' Seminar"
-
December 4th, 2016, Museo de Arte Contemporaneo de Oaxaca (UMBRAL), Oaxaca
THIRST MAP
-
December 2nd, 2016, Museo de Arte Contemporaneo de Oaxaca (UMBRAL), Oaxaca
Talk
-
November 15th, 2016, 22:00 CET, colaboradio (ohrenhoch - der Ger uschladen)
Interview with Knut Remond for the first "OHRFEIGE"
-
November 2nd, 2016, 23:03 CET, SWR 2
Feature & interview on the installation version of "Die ffentliche Probe"
-
October 22nd, 2016, The Kitchen (Blank Forms), New York City
"Labyrinth Gives Way to Skin: Maryanne Amacher Listening Session 3"
-
October 21st, 2016, The Kitchen (Blank Forms), New York City
"Labyrinth Gives Way to Skin: Maryanne Amacher Seminar 3"
-
October 20th, 2016, Academy of Media Arts, Cologne
"Soundings #000"
-
October 20th, 2016, Theater Rampe (Die Institution), Stuttgart
"Public rehearsal" for "Die ffentliche Probe"
-
October 14th - 16th, 2016, Donaueschinger Musiktage (Die Institution), Donaueschingen
Installation version of "Die ffentliche Probe"
-
October 5th, 2016, ACUD MACHT NEU (SOUNDING IMAGES 03), Berlin
"Diamanda Gal s - INTRAVENAL SONG," me talking
-
September 17th & 18th, 2016, alte feuerwache - Kulturhaus Friedrichshain, Berlin
HOME TOURISM
-
August 2016, Bloomsbury Publishing
Section on TDs in Jennie Gottschalk's Experimental Music since 1970
-
July 31st, 2016, Keith, Berlin
Mammoth Presents - "Tracing time: an ontology of experience Writings and musings about the passing of time," including a THIRST MAP fragment
-
July 25th, 2016, Musicworks Magazine
Christopher Willes reviews the Tutorial Diversions book
-
July 22nd - July 24th, 2016, Die Institution, Kirnbach
First episode of "Die ffentliche Probe"
-
July 12th, 2016, Br ckenmusik, Cologne
Book release for the 25th anniversary catalog including my text on Maryanne Amacher
-
June 6th - July 29th, 2016, Bard College, Annandale-on-Hudson
Co-Chairing Music/Sound in the Milton Avery Graduate School of the Arts
-
June 4th, 2016, Emily Harvey Foundation (Blank Forms), New York City
"Labyrinth Gives Way to Skin: Maryanne Amacher Listening Session 2"
-
June 4th, 2016, Emily Harvey Foundation (Blank Forms), New York City
"Labyrinth Gives Way to Skin: Maryanne Amacher Seminar 2"
-
May 19th, 2016, Mouvoir, Cologne
"Key note" as a part of MAKING City Dance K ln #3
-
May 17th, 2016, Arcades, Berlin
Henry Andersen performs Berlin Song (2003/2004)
-
April 29th - 30th & May 6th - 8th, 2016, University of Arts (Studium Generale), Berlin
"Blockseminar" in collaboration with Janina Janke on "The Flexible City"
-
April 14th - July 31st, 2016, Academy of Media Arts, Cologne
"Listening Methodologies and the Aesthetics of Reception"
-
April 5th, 2016, John F. Kennedy School, Berlin
Talking to Joseph Curtis' class about my work and the history of experimental music
-
April 1st - September 30th, 2016, Academy of Media Arts, Cologne
Guest Professor of Sound
-
March 26th, 2016, The Lab, San Francisco
Launch of Chris Mann's book "the use" including a postcard from me
-
March 4th, 2016, Emily Harvey Foundation (Blank Forms), New York City
"Labyrinth Gives Way to Skin: Maryanne Amacher Listening Session"
-
March 4th, 2016, Emily Harvey Foundation (Blank Forms), New York City
"Labyrinth Gives Way to Skin: Maryanne Amacher Seminar 1"
-
February 27th, 2016, De Brakke Grond (Sonic Acts), Amsterdam
Talking with Robert The about the MAA
-
February 26th, 2016, Stedelijk Museum (Sonic Acts), Amsterdam
Research Audio from The Maryanne Amacher Archive
-
February 6th, 2016, ici ("Proper Times of the Aesthetic. Time and Representation in Polychronic Modernity"), Berlin
"Final Applause" with or without Kai van Eikels
-
February 4th - 6th, 2016, ici ("Proper Times of the Aesthetic. Time and Representation in Polychronic Modernity"), Berlin
A conference claque for "DE/SYNCHRONIZE? Living in Plural"
-
January 6th, 2016, boundary 2 (Duke University Press)
Article for Jairo Moreno and Gavin Steingo's "Econophonia: Music, Value, and Forms of Life" issue

December 31st, 2015, Kingston Times, Volume 10; Issue 53
"The Amacher archives - Preserving the work of a sound-art genius" by Lynn Woods
-
June 13th, 2015, Video Fag, Toronto
Christopher Willes' and Adam Kinner's "Reading Listening" with No mie Solomon
-
June 8th - July 31st, 2015, Bard College, Annandale-on-Hudson
Co-Chairing Music/Sound in the Milton Avery Graduate School of the Arts
-
May 24th - 31st, 2015, DOORS UNLIMITED BOMB Magazine
Instagram Takeover
-
May 24th, 2015, Cuchifritos, New York City
Essex Crossing Pedometer Performances at 1, 2, 4, and 5pm
-
May 19th - 24th, 2015, Cuchifritos, New York City
Essex Crossing Pedometer
-
May 15th - July 10th, 2015, SPACES, Cleveland
Exhibition text for Chloe Bass' "Book of Everyday Instruction: Chapter One"
-
May 2nd - 31st, 2015, Cuchifritos, New York City
"Threshing Floor," curated by Natasha Marie Llorens
-
May 10th, 2015, Henie-Onstad Kunstsenter (Ny Musikk), H vikodden
Ensemble Zwischent ne premieres a new work by Lene Grenager
-
May 5th, 2015, AckerStadtPalast, Berlin
Miss Moth & Chris Newman's Memory-thought
-
May 3rd, 2015, Liebig12 (Panoply Performance Laboratory), Berlin
Collaboration with Chloe Bass
-
May 2015, MusikTexte, Issue 145
"Conceptualism" Article
-
April 29th, 2015, Ear | Wave | Event
Issue 2!!!
-
April 23rd, 2015, Pro qm, Berlin
8 Tutorial Diversions, 2009-2014 release with Fiona McGovern and Volker Straebel
-
April 14th, 2015, Schloss-Post
"Musical pleasure is sexual pleasure," Interview with Martin Beck
-
March 19th, 2015, Akademie Schloss Solitude, Stuttgart
8 Tutorial Diversions, 2009-2014 release event
-
March 12th - 15th, 2015, Leipziger Buchmesse (Edition Solitude), Leipzig
8 Tutorial Diversions, 2009-2014's public debut
-
March 8th, 2015, Kyoto Art Center, Kyoto
Claqeurie led by Kai van Eikels
-
February 12th, 2015, Raum/Xing (Sant'Andrea degli amplificatori), Bologna
"5 Years of Tutorial Diversions"

December 4th - 7th, 2014, Neues Kaufhaus Held (LOFFT / "Wunder Opus 5"), Leipzig
MUSTERHAUS (in collaboration with Janina Janke)
-
November 11th & 22nd, 2014, Neues Kaufhaus Held (LOFFT / "Wunder Opus 5"), Leipzig
MUSTERHAUS Workshops I & II
-
November 7th, 2014, LOFFT ("Wunder Opus 5"), Leipzig
MUSTERHAUS Preview - Potluck Singing
-
November 3rd, 2014, Sophiensaele (Klangwerkstatt), Berlin
"THE ANONYMOUS INTIMACY OF AUDIBILITY IS INDEED AN ALTERNATIVE TO REPRODUCTIVE SEXUALITY"
-
November 3rd, 2014, Sophiensaele (Ensemble Zwischent ne/Klangwerkstatt), Berlin
"KLANGZWISCHENWERKSTATTT NE 1990 und heute" - pieces by P. Ablinger, S.- . Johansson, me
-
October 1st, 2014, BLATT 3000, #1
Neele H lcker writes about Tutorial Diversions
-
September 29th - September 30th, 2014, Xing, Bologna
"WALKING FROM SCORES - laboratorio teorico-pratico con Elena Biserna" includes "2 Pieces for 2 Performers..."
-
June 15th - August 24th, 2014, Bonner Kunstverein, Bonn
"Maryanne Amacher: Intelligent Life"
-
June 9th - August 1st, 2014, Bard College, Annandale-on-Hudson
Co-Chairing Music/Sound in the Milton Avery Graduate School of the Arts
-
June 6th, 2014, Elizabeth Foundation for the Arts, New York City
"Hypothetical Non-Attenuating Zuccotti Park Reflection Times"
-
June 6th - July 3rd, 2014, Elizabeth Foundation for the Arts, New York City
"Failing to Levitate," curated by Kerry Downey and Natasha Marie Llorens
-
May 29th - June 12th, 2014, Droit de Cit s
An hour of work in Christine Sun Kim & Thomas Benno Mader's "Busy Day"
-
May 14th, 2014, Wrong Criticism Magazine
A Cab Ride from 18 Rue de l H tel de Ville to 333 Rue des Pyr n es
-
April 16th, 2014, Ear | Wave | Event
It's live!!!
-
April 11th, 2014, Gallery 1412, Seattle
"Listening Experiments: Sound, Performance, Sense, Site" presents BATH TRACKS AND MOVEMENTS CONSOLATION
-
April 1st - May 31st, 2014, Akademie Schloss Solitude, Stuttgart
Resident Fellow
-
March 14th - 28th, 2014, SCHAU FENSTER (Ben Patterson: Sneak Review), Berlin
Exhibition with an opening performance by Benjamin Patterson
-
March 11th, 2014, AckerStadtPalast (Ensemble Zwischent ne / Maulwerker), Berlin
"Concert Examination" (Selected works by Benjamin Patterson)
-
March 11th, 2014, Ben Patterson: Sneak Review, Berlin
Reenactment of the 1962 "Sneak Review" with newly commissioned works for Patterson's 80th birthday
-
March 6th, 2014, Altes Finanzamt, Berlin
"2 Pieces for 2 Performers & Music through Public Space" during the opening of Shirin Sabahi's "Muted Fanfare for the Shy"
-
March 2014, Ben Patterson: Sneak Review (Down with Art! Verlag)
Catalogue text ("Benjamin Patterson's lost PETs")
-
March 2014, nGbk
Reiseagentur Catalogue on La claque et le moi
-
March 2014, 2014 Whitney Biennial
Catalogue text on Sergei Tcherepnin ("Note to Sergei")
-
February 24th, 2014, SWR2 (JetztMusik)
A feature on Maryanne Amacher by Lerke van Saalfeld including interviews with V. Straebel, A. Wieder, & myself
-
February 17th & 18th, 2014, AckerStadtPalast, Berlin Miss Moth & Crew
-
February 2014, Lateral Addition, +12 Response to a call by Bryan Eubanks and Cat Lamb ("Liminal Note")
-
February 2014, Lateral Addition, +9
"Nuvole Detail Prototype with Holiday Vignettes"
-
January 2014, transcript Verlag
Julia Schr der discusses TDs in her contribution to "Quotation, Appropriation, Sampling: Referential Processes in Contemporary Art"

December 21st, 2013, Exploding View Gallery (E.V. Sound Salon Series), Tucson
live Tutorial Showcase
-
November 22nd, 2013, Akademie Schloss Solitude, Stuttgart
Tutorial playback situation for Mitch McEwen's transducer chairs at the opening of "Architecture & ..."
-
October 17th, 2013, Villa M diterran e (UNeECC), Marseille
Talk on La Parole est aux Usagers by Nicolas Debade
-
September 17th - October 12th, 2013, Cité radieuse, (GMEM / MP2013), Marseilles
"LA PAROLE EST AUX USAGERS" with Janina Janke

September 21st, 2013, 6pm - starting in the lobby and making its way down from the 5th "street" to the 1st September 28th, 2013, 6pm - 9-15 apartments talk amongst themselves in chorus + Plan B October 5th, 2013, 6pm - Sounding the facade October 12th, 2013, 3-7pm - "Promenades architecturales" + "D rives sonore," 8-10pm - Round Table

September 15th - October 15th, 2013, Association des Habitants du Corbusier / GMEM, Marseilles
Artist-in-Residence & Residency for "LA PAROLE EST AUX USAGERS"
-
August 15th, 2013, Württembergischer Kunstverein Stuttgart
"Thunderdome," DJing with Peter Jakober as a part of WKS's "Casual Friday"
-
July 2013, Institut für Medienarchäologie
Featured in the IMAfiction Portrait of Maryanne Amacher
-
July 2013, EULACHON, Edition 3
"Tammy Wynette and the Shitfaced Boy"(including a link to "ALL DAY I TRIED TO COMFORT HER")
-
July 2013, room40
"Liner Notes" for Marina Rosenfeld's "P. A. / Hard Love"
-
June 10th - August 2nd, 2013, Bard College, Annandale-on-Hudson
Co-Chairing Music/Sound in the Milton Avery Graduate School of the Arts
-
June 2nd, 2013, Akademie Schloss Solitude, Stuttgart
Lecture/Performance in the "Chronicles of Work" series, "What's work worth?"
-
May 11th, 2013, Württembergischer Kunstverein Stuttgart
"Dissensus and the Work of Listening," Workshop & tutorials with Gavin Steingo on our upcoming book
-
May 1st, 2013, 15:05 CET, West German Radio (WDR 3)
Interviewed by Martina Seeber in her feature, "Auf die Barrikaden!" (Live Stream)
-
April 20th, 2013, Collegium Hungaricum Berlin
Miss Moth plays in SONGS UNLIMITED
-
April 19th - June 2nd, 2013, NGBK, Berlin
"La claque et le moi" in "The Irregulars - Economies of Deviation"
-
April 13th, 2013, Akademie Schloss Solitude (Copy Room), Stuttgart
EMAIL! - the Zine Office Party
-
April 10th, 2013, EMAIL! - the Zine (in collaboration with Chloë Bass)
Issue 1 ("The Schloss Issue) is released (write to us for us a copy!)
-
March 19th - 22nd, 2013, Cité Radieuse, (GMEM / MP2013), Marseilles
Residency toward "LA PAROLE EST AUX USAGERS"
-
February 14th, 2013, University of Arts
"Un chant d'amour," a chapter on my work in Klaus Hamlescher's Sound Studies master's thesis
-
February 14th, 2013, ZKM / IMA_soundvisions, Karlsruhe
Introducing Charles Atlas & Maryanne Amacher's "TORSE"
-
February 4th, 2013 University of Arts / klangzeitort, Berlin
"Ringvorlesung: Schwebung, Spektrum, Harmonie..." - "Die Musik von Maryanne Amacher"
-
January 27th, 2013, reboot.fm (88.4 FM Berlin)
Live phone-in interview for a Feature on the upcoming NGBK show Die Irregul ren konomien des Abweichens
-
January 21st, 2013, DC's
Dennis Cooper (!): "Bill Dietz - Tutorial Diversions"

October 2012 - June 2013, Akademie Schloss Solitude, Stuttgart
Resident Fellow

December 13th, 2012, ORANGE 94.0 / Katrins Klangschiene
Interview with Katrin Hauk about M. Amacher; live stream at 9pm CET here
-
December 11th, 2012, Katrin Hauk's blog
"Ein Gespr ch mit Bill Dietz ber die amerikanische K nstlerin Maryanne Amacher"
-
November 29th, 2012, M.I.T. (the de Rothschild Room), Cambridge
"The Dissociative Potential of the Sonic & the Case of 'Tammy W.'," invited by M. Silver
-
November 29th, 2012, ZU Daily
Mention in J. Landkammer's "Dilettantisch daneben: Von produktiven Missverst ndnissen"
-
November 20th, 2012, Zeppelin University, Friedrichshafen
"Musik zwischen Vermittlung, Auff hrungsanleitung und Klangkollektiv," interviewed by J. Landkammer
-
October 17th, 2012, Wolke Verlag
Order your copy of "Cage & Consequences" (ed. J. Schr der & V. Straebel), including "Listening to MaerzMusik Listen to John Cage"
-
October 9th, 2012, Bard College, Annandale-on-Hudson
Appointed Co-Chair of Music/Sound in the Milton Avery Graduate School of the Arts
-
October 6th, 2012, King Karaoke (Faithful! - Treue und Verrat in der musikalischen Interpretation), Berlin
"New Music Karaoke Matinee"
-
September 22nd, 2012, 7hours Haus 19, Berlin
Symposium "Study Group Phase II Finale"
-
September 6th, 2012, University of G ttingen (International Congress of the Gesellschaft f r Musikforschung), G ttingen
Symposium "John Cage @ 100"
-
August 23rd - September 2nd, 2012, Corbusierhaus, Berlin
"DAS WORT HABEN DIE BEN TZER / LA PAROLE EST AUX USAGERS," with Janina Janke
-
August 22nd, 2012, DAZ (German Architectural Center), Berlin
Maryanne Amacher's "Performed Architecture in Le Corbusier's Unit s d'habitation," with Janina Janke
-
August 18th, 2012, Hamburger Bahnhof (the Berliner K nstlerprogramm), Berlin
Maryanne Amacher's "Petra," with Marianne Schr der and Stefan Tcherpnin
-
August 4th - 5th, 2012, Tate Modern (The Tanks: Live Programme), London
Hourly SUPREME CONNECTIONS sound screenings
-
August 3rd, 2012, Tate Modern (The Tanks: Live Programme), London
Panel discussion with SUPREME CONNECTIONS and Axel Wieder invited by Ei Arakawa
-
July 28th, 2012, Funkhaus Berlin Nalepastrasse (the Berliner K nstlerprogramm), Berlin
"SUPREME CONNECTIONS Presentation, with M. Silver, S. Tcherepnin, and R. The
-
July 19th, 2012, Hamburger Bahnhof (the Berliner K nstlerprogramm / Ensemble Zwischent ne), Berlin
Maryanne Amacher's "GLIA"
-
July 13th - August 25th, 2012, DAAD Galerie (The Maryanne Amacher Archive / the Berliner K nstlerprogramm), Berlin
"Maryanne Amacher: Intelligent Life"
-
June 11th - 30th, 2012, Bard College, Annandale-on-Hudson
Music/Sound Faculty in the Milton Avery Graduate School of the Arts
-
May 31st, 2012, ZKM (Ensemble Zwischent ne / "Sound Art. Sound as a Medium of Art"), Karlsruhe
Maryanne Amacher's "GLIA"
-
May 31st, 2012, ZKM ("Sound Art. Sound as a Medium of Art" / "Paranoia" Symposium), Karlsruhe
Talk on Maryanne Amacher's "Glial Instrumentations"
-
May 13th, 2012, SPOR 2012: SPEAK UP (Ensemble Zwischent ne / SPOR Festival), Aarhus
"I HAVE NOTHING TO SAY AND I AM SAYING IT"
-
May 8th, 2012, University of Arts, Berlin
"DER RAUM IN JOHN CAGES MUSIK - RINGVORLESUNG" - Lecture on "Lecture on the Weather"
-
March 19th - April 28th, 2012, gelbe MUSIK (MaerzMusik / Additional Tones LTD), Berlin
"Maryanne Amacher - Lecture on the Weather: Documents of a Collaboration"
-
March 19th, 2012, Haus der Berliner Festspiele (MaerzMusik / Cage & Consequences), Berlin
"Listening to MaerzMusik Listen to John Cage"
-
March 6th, 2012, Aarhus Universitet (prelude to SPOR), Aarhus
Speaking to Louise Fabian's "experience economies" class
-
February 26th, 2012, De Balie (Sonic Acts XIV: Traveling Time), Amsterdam
Extreme Experiences of Time and No Time - In Conversation with Catherine Christer Hennix
-
February 22nd, 2012, Sonic Acts Press
Order your copy of "Bill Dietz in Conversation with Catherine Christer Hennix" in the "Travelling Time" Book
-
February 5th, 2012, Parkteatret, Oslo
MISS MOTH in OSLO
-
February 3rd, 2012, Experimental Music Yearbook, Issue 2011
Das Lied vom Wein
-
January 24th, 2012, University of Arts / Sound Studies, Berlin
Talking about Amacher for J. Schr der's "(H r)Wahrnehmung in Wissenschaft und k nstlerischer Praxis"
-
January 17th, 2012, University of Arts, Berlin
"DER RAUM IN JOHN CAGES MUSIK - RINGVORLESUNG" - Lecture on "Empty Words"

December 12th, 2011, University of Arts, Berlin
Presenting Tutorials & claque works in Gary Schultz's "Audience Today" class
-
November 29th, 2011, University of Arts, Berlin
"DER RAUM IN JOHN CAGES MUSIK - RINGVORLESUNG" - Lecture on "Music Walk" & "Water Walk"
-
November 27th, 2011, KW Institute for Contemporary Art (MISS READ), Berlin
Talking with Binna Choi, Micah Silver, and Axel J. Wieder
-
November 17th, 2011, "EM H ren" (Electronic Music Studio of the Technical University), Berlin
Tutorial Diversions as Electronic Music?
-
November 8th, 2011, University of Arts, Berlin
"DER RAUM IN JOHN CAGES MUSIK - RINGVORLESUNG" - Lecture on the "Music for Carillon" Series
-
September 26th - October 2nd, 2011, Cit Radieuse, Marseilles
Research toward "LET THE USER SPEAK NEXT"
-
September 4th, 2011, Ausland, Berlin, ECHTZEITMUSIK Book
Release Party
-
September 2011, Performance Research Journal, Vol.16, no 3 "On Participation & Synchronization"
"Composing Listening" & some notes on claque works
-
July 25th - August 20th, 2011, Additional Tones LTD (Goethe Institute), Kingston
Research
-
August 15th, 2011, Wolke Verlag, Order your copy of the ECHTZEITMUSIK Book
Including a revised, bilingual version of "-sand and seven, -sand and seven"
-
July 19th, 2011, Grimm Museum (Ensemble Zwischent ne), Berlin
DAS DORT IM HIER II: Catherine Christer Hennix
-
July 14th, 2011, 7hours HAUS19 (Ensemble Zwischent ne), Berlin
Study Group Phase I "Ergebnispr sentation"
-
June 16th, 2011, Mexican Embassy (Ensemble Zwischent ne), Berlin
DAS DORT IM HIER I: Jos Antonio Elguezabal
-
June 1st, 2011, reihe M, Cologne
MISS MOTH in Cologne
-
May 30th, 2011, Golden Pudel Club, Hamburg
MISS MOTH in Hamburg
-
May 26th - June 11th, 2011, 7hours HAUS19, Berlin
"VideoART! the Joburg Fringe"
-
May 16th, 2011, Karl-Marx-Str. (Neuk llner Oper), Berlin
Ensemble Zwischent ne/Orchester f r direkte Demokratie in David Moss' "Sounding Neuk lln" Parade
-
May 6th, 2011, Blurred Edges Festival, Hamburg
"I HAVE NOTHING TO SAY AND I AM SAYING IT"
-
April 8th - 10th, 2011, MS Bleichen (Masse und Macht /Kampnagel), Hamburg
Christian von Borries' GLOBAL DESIGN
-
April 4th, 2011, Issue Project Room (Object Collection), Brooklyn
Premiere reading of "Composing Listening" for Object Collection's Performance-Party-Benefit
-
March 29th, 2011, 7hours HAUS19 (Ensemble Zwischent ne), Berlin
Study Group Kickoff
-
February 27th, 2011, K nstlerhaus Lukas, Ahrenshoop
"Tage der offenen T r," New Tutorial Prototypes
-
February 1st - 28th, 2011, K nstlerhaus Lukas, Ahrenshoop
Residency

December 28th, 2010, BKA/Unerh rte Musik (Trio XelmYa), Berlin
"Preemptive Paix du Parnasse"
-
December 2nd, 2010, Lautstrom / reboot.fm (88.4 FM Berlin)
Radio portrait with Anna Bromely; Live @ 2AM CET - archived here
-
November 13th - December 11th, 2010, Schlo platz Berlin (Ensemble Zwischent ne/TONSPUR), Berlin
"I HAVE NOTHING TO SAY AND I AM SAYING IT"
-
November 6th, 2010, Kunstquartier Bethanien (Ensemble Zwischent ne/Klangwerkstatt), Berlin
CONCERT PLOT - Chris Newman & Ensemble Zwischent ne
-
November 5th - 6th, 2010, Kunstquartier Bethanien (Klangwerkstatt), Berlin
Wolff "Prose Collection" Workshop & Performance with students from the Otto-Wels-Grundschule
-
October 8th, 2010, BABYLON-Mitte (Videoart at Midnight), Berlin
MISS MOTH in Berlin
-
September 27th, 2010, KOMEDIA, Brighton
MISS MOTH in Brighton
-
September 23rd, 2010, Cafe OTO, London
MISS MOTH UK Premiere
-
August 20th, 2010, St. Mark's Church (Incubator Arts Project / Doug Barrett), New York
"A Few Silence, A Place or Two, Some Applause," "Some Applause for Doug"
-
July 9th, 2010, Haus der Kulturen der Welt ("Cultures of the Performative"), Berlin
"Performing the Future" Conference, Panel "What will there be instead of an Audience?"
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July 9th, 2010, St. Maria im Kapitol (Romanische Nacht / WDR3), Cologne
"DELUXE EDITION" (Ensemble piece) - Collaboration with Sebastian Biskup (Live Stream)
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July 4th - 13th, 2010, Deutzer Br cke (Br ckenmusik 16), Cologne
"DELUXE EDITION" (Daily performances & CD) - Collaboration with Sebastian Biskup
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June 27th, 2010, Schwartzsche Villa (Trio XelmYa / "Tonk nstlerkonzert"), Berlin
"Preemptive Paix du Parnasse"
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June 26th, 2010, Musikschule Friedrichshain-Kreuzberg (Trio XelmYa / "Klang im Wandel"), Berlin
"Preemptive Paix du Parnasse"
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May 14th - June 6th, 2010, 7hours HAUS19, Berlin
"L'auditeur s'appelle Emma" - a Tutorial Diversions Showroom

Week 1: Lo soffia il cielo...cos Friday May 14th, 2010, 7 PM - with Margareth Kammerer Saturday & Sunday May 15th & 16th, 2010, 2 6 PM Week 2: "Rhythms Around the Chair" Friday May 21st, 2010, 7 PM - with the Vokalensemble Neuk lln under the direction of Anna Shefelbine Saturday & Sunday May 22nd & 23rd, 2010, 2 6 PM Week 3: Stereo Pacing (Torn Curtain) - with Peter Ablinger Friday May 28th, 2010, 7 PM Saturday & Sunday May 29th & 30th, 2010, 2 6 PM Week 4: 3-Part Dances - with Eugen Blume Friday June 4th, 2010, 7 PM Saturday & Sunday June 5th & 6th, 2010, 2 6 PM

March 29th, 2010, Labor Sonor (The Microscore Project), Berlin
"Some Applause for Omaha"
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March 27th, 2010, Villa Newman (Gitschiner Str. 61), Berlin
MISS MOTH: "Home Tour - the Answers to Solutions"
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March 13th, 2010, Villa Newman (Gitschiner Str. 61), Berlin
Launching MISS MOTH
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March 10th, 2010, Hauskonzert (Bundesallee 221), Berlin
Introducing Agnieska Dziubak & her microtonal program
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March 4th, 2010, Galerie Neu, Berlin
"A golden-skinned Woman with Insects for Eyes" w/ Sergei Tcherepnin for Ei Arakawa's "I am an employee of United"
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February 11th, 2010, Villa Elisabeth (TU Berlin/DAAD), Berlin
Maryanne Amacher in memoriam

December 1st - 7th, 2009, TBILISI 6, Tbilisi
BATH TRACKS AND MOVEMENTS CONSOLATION
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November 2009, MusikTexte, Issue 123
Article
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November 1st, 2009, Konzerthaus Berlin (Ensemble Zwischent ne), Berlin
EINE AUDIENZ MIT DEM PUBLIKUM 3.2 FINE
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October 27th, 2009, Sammlung Hoffmann(Ensemble Zwischent ne), Berlin
EINE AUDIENZ MIT DEM PUBLIKUM 3.1
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June 27th, 2009, A trans Pavilion (zwielicht), Berlin
"Lo soffia il cielo... cos "
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June 15th, 2009, 7hours HAUS19 (Ensemble Zwischent ne), Berlin
EINE AUDIENZ MIT DEM PUBLIKUM 2.2
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June 14th, 2009, Konzerthaus Berlin (Ensemble Zwischent ne), Berlin
EINE AUDIENZ MIT DEM PUBLIKUM 2.1
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May 29th, 2009, 7hours HAUS19, Berlin
"Poetry Reading" with Steve Dickison, Chris Newman, and Eugene Dubnov
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May 2009, Positionen, Issue 79
"Subprimekrise der Neuen Musik"
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May 23rd, 2009, London Horse Hospital (Textmusictext Symposium), London
Collaboration with Steve Dickison
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April 14th, 2009, BKA/Unerh rte Musik (Trio Nexus), Berlin
"She's dumb"
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March 9th, 2009, 22:05 CET, Radio Bavaria (Bayern 4)
Feature on Ensemble Zwischent ne (Live Stream)
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February 2009, Positionen, Issue 78: "(ohne) Rahmen"
"Eine Audienz mit dem Publikum"
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February 6th - 8th, 2009, Haus der Kulturen der Welt (Audio Poverty/Ensemble Zwischent ne), Berlin
EINE AUDIENZ MIT DEM PUBLIKUM 1.3
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January 31st, 2009, Sammlung Hoffmann(Ensemble Zwischent ne), Berlin
EINE AUDIENZ MIT DEM PUBLIKUM 1.2
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January 28th, 2009, Konzerthaus Berlin (Ensemble Zwischent ne), Berlin
EINE AUDIENZ MIT DEM PUBLIKUM 1.1

November 29th, 2008, complice (Kerstin Fuchs/James Orsher), Berlin
"Protectorate 19:55 - 20:05"
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November 16th & 23rd, 2008, ohrenhoch, Berlin
"Home Setup Showroom" with "Two Room Test Pattern"
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November 13th, 2008, KLANG IM TURM (Kerstin Fuchs/James Orsher), Munich
"Protectorate 20:55 - 21:05," Poster
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November 9th, 2008, Klangwerkstatt (ensemble multiphon), Berlin
"An Exemplary Individual" (what didn't happen), 1, 2, 3, Flyer
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September 20th, 2008, 7hours HAUS19, Berlin
A "Great Learning" paragraph, Text, Ad
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September 11th, 2008, ARTSaha! (The Microscore Project), Omaha
"Some Applause for Omaha," Program
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July 22nd, 2008 (cancelled), Little Miss Micks (Duo Fuchs/Marino), Berlin
Score, their Ad
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May 30th - 31st, 2008, Happy Days Sound Festival, Oslo
La claque d'Oslo, Angry Lecture, Ad
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May 23rd - 25th, 2008, Ballhaus Naunyn, Berlin
Idiota triumphans - 20 Years Ensemble Zwischent ne
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May 18th, 2008, Labor Diskurs, Berlin
Text, Ad