Dates, Work, Tutorial Diversions, Publications, Teaching, About

Another Drought Twilight Finale Allegro I Know (2021), fan fic duo

Each clap is always also for the world. (2020), 16 recordings of applause from 2020-2021 to be played during live applause

The simplest way to get rid of information is to reduce the sensitivity of the receptors (2020), liminal displacements
+
Singing is what makes work possible (Syllabus) (2020), with Hong-Kai Wang

Lag Monument ("By 2030 everything will be good) (2019), tutorial lag for a percussionist, children, and audience members
+
Mood Melody (2019), notes for K.W.
+
"Singing is what makes work possible" (2019), 4 episodes in cooperation with Hong-Kai Wang
+
Lag Monument (2019), a score for micro-rhythmic interpolation

"Oh my god, Michelle - it's taken me so long to come to you!"; or, The Thaw (2018), 11 tracks of repeating stereo-audio (7'04'') and 11 texts for E.J.
+
Literacy of the Throat (2018), a Meeting in cooperation with Hong-Kai Wang and Chris Mann
+
TOTALE ARCHITEKTUR (2018), 6 scores for spatial reading & 18 channels of generative audio, in collaboration with Janina Janke

L'école de la claque (2017), a claque in 46 instances, book & performance
+
Co-op sonore (2017), 8 channels of audio diffused via synchronized mobile devices, in collaboration with Janina Janke and Julie Rüter
+
STAVENHOFER LATENCY ARCHITECTURE (2017), a sound-joined street in collaboration with Jordan Topiel Paul
+
Music for DER MONOLOG (2017), 5 channels of audio on and adjacent to a stage, 2x 45'
+
THIRST MAP (Breathe-Along) (2017), 2-channel audio, 9'32''



Quatre refrains de la rue (2016), 19th c. gentrification dances for "HOME TOURISM," variable duration
+
14.538 Meters for C., V., E., & C. (2016), pacing mnemonics, variable duration
+
Kirnbach Hocket (2016), score and algorithm for Herbordt-Mohren's "Die öffentliche Probe," 90'
+
Schlussapplaus (2016), claquerie académique, 30'

THIRST MAP (2015-2016), narrative & listenings, variable duration

New House, Old Money, T.D. (2015), wavelength cartography, variable duration
+
Essex Crossing Pedometer (2015), 8 sportswear rulers & wavelengths for real estate quantification, variable duration

MUSTERHAUS (2014), sung spatial models in an empty department store, in collaboration with Janina Janke, 60'
+
THE ANONYMOUS INTIMACY OF AUDIBILITY IS INDEED AN ALTERNATIVE TO REPRODUCTIVE SEXUALITY (2014), wavelength mats, spatial models, variable duration
+
Britney Spears' "Everytime" (2014), earbud headphones, media player, score, 3'41''
+
Nuvole Detail Study (2014), video, 1'31''

Nuvole Detail (2013-2014), media player, score, 7'46''
+
Hypothetical Non-Attenuating Zuccotti Park Reflection Times (2013-2014), spatial models for group resyntheses of reflections, variable duration
+
Nuvole Detail Prototype with Holiday Vignettes (2013-2014), Tutorial prototype for continuous home-playback amplitude control, 10'40''

Holiday Vignettes (2013), text
+
Home Jetty (2013), rotating, continuous Tutorial, 11'32''

La claque et le moi (2012-2013), exhibition viewing situation & object rubric
+
Adjacency Survey (2012-2013 / ongoing), montage stencil for 2-16 rooms and a single sound source, variable duration



LA PAROLE EST AUX USAGERS (2010-2013), Meta-Tutorial in Collaboration with Janina Janke for the Unité d'Habitation in Marseille

ALL DAY I'VE TRIED TO COMFORT HER (2012), video, 19'38'' [password on request]
+
Peter Ablinger Sings Whitney Houston (2012), text, video, audio file

DAS WORT HABEN DIE BENÜTZER (2010-2012), Meta-Tutorial in Collaboration with Janina Janke for the Unité d'Habitation in Berlin

D'Assoucy Serenade (2011- ), two-room, continuous Tutorial, 4'20''
+
Forty & Forty-two Part Motet (2011- ), multi-room, continuous Tutorial, 6'
+
Il derubato che sorride (2011), video/tutorial addendum, 5'



Das Lied vom Wein (2005/2011), phrased Tutorial & scored seating, 4'44''



Some Applause for Doug (2010), live & pre-recorded applause in a concert situation, electronics, variable duration
+
DELUXE EDITION (2010) - collaboration with Sebastian Biskup, performed installation (variable length), 3'30'' CD, 12' concert piece
+
A golden-skinned Woman with Insects for Eyes (2010) - collaboration with Sergei Tcherepnin, serge synthesizer, accordion, headphone tutorial configuration, 15'



Preemptive Paix du Parnasse (2009-2010), recorder, violin, cello, 9'
+
3-Part Dances (2009-2010), continuous Tutorial, 13'49''
+
"Rhythms Around the Chair" (2008-2010), rotating, phrased Tutorial, 7'56''
+
Stereo Pacing (Torn Curtain) (2006-2010), single-room, phrased Tutorial, 7'39''
+
Lo soffia il cielo...cosí (2006-2010), single-room, continuous Tutorial, 5'12''



BATH TRACKS AND MOVEMENTS CONSOLATION (2009), sounds and movements, variable duration
+
Eine Audienz mit dem Publikum (2009), video, 20'
+
La claque vide (2009), reader, claque, & projected images in a concert situation, 25'
+
She's dumb (2009), flute, vibraphone, piano, projected images, 24'



Paragraph 7 (2008), text
+
The Protectorate (2008), variable instrumentation, variable duration
+
Not an Exemplary Individual (2008), 1'
+
An Exemplary Individual (2008), 9 instruments played by children, 12'
+
Some Applause for Omaha (2008), pre-recorded applause & live applause, 0'30''
+
La claque d'Oslo (2008), claque in a concert situation, variable duration



Leitmotifs (2007)
+
WATERLOO (2007), 9 instruments played by adults & children's choir, 12'
+
La claque du Berlin (2007), claque in a public situation, variable duration
+
TOGETHER WE WILL LOVE THE BEAT (2007), 8 beats for 8 days & CD distribution, variable duration & 3'24'' CD
+
The Red Book and Tolerance (2007), 99 4'' lossless audio tracks on CD



GEFROR'NE TROPFEN, Cinema in the Form of a Song (2005-2007), CD, Headphone, Loudspeaker, Texts, 60'



Weisst du, leise flehen meine Lieder (2006), church congregation, variable duration
+
Untitled Radio Piece (2006), 3 inserts for radio, 15'



Das Lied vom Wein (2005), cd & scored seating, 16'
+
9-5 and 5-9, "Ich grolle nicht" (2005), piano duet, 2'
+
Koan 2/2004-2005 (2005), flute & piano, variable duration
+
50 Studies (2005), 50 receeding recordings, 34'



6 little Pieces (2004-2005), earbud headphones, media player, score, 4'



The Possibility of Improvisation/The Impossibility of Music (2004)
+
After the Interval (Concert Piece imJC) (2004)
+
6 Liedchen to W. (2004), German speaker & English speaker, variable duration
+
Audience Projection (2004), live concert situation generated video, variable duration (8'36'' in 2004)
+
4 Chorales (2004), speaker & audience, variable duration
+
Untitled ("Wie wunderbarlich ist doch diese Strafe") (2004), organ, ca. 9'
+
Untitled ("Moonlight Sonata") (2004), piano, ca. 6'
+
64 Pages for 1-64 Performers (2004), score & 1-64 performers, durations from 64-2080''
+
6 Openings for Peter Ablinger (2004), 6 recordings, 4'



2 Pieces for 2 Performers & Music through Public Space (2003-2004), 2 performers, variable duration
+
Berlin Song (2003-2004), speaker & audience, variable duration



Concert Text (2003), text, variable duration
+
Triple Concert Piece Neukölln (2003), choir & audience, 5'
+
Eliding Ode Machine (2003), choir and electronics, variable duration
+
"Consonance precedes consonants" (2003), piano, asymptotal durations



Fugue Subject (for J. Schulte-Sasse) (2002-2003), 2 uninstrumented scores, 1'' & 2'08''
+
22 Consonants for Andrew Smith (2002-2003), piano(s) & performer, variable duration
+
"After the Interval" (Concert Piece imJC) (2002-2003), live sampled concert situation, variable duration



3-Months Study (2002), 2 violins, 4 bows, 3 performers, 3'15''
+
Nocturne (2002), piano & multiple performers, 2 x 3'