Dates, Work, Publications, About

2022

My Ears, The Police (2022)
2337 words, the “November 21, 2002 Government Order of the Brussels-Capital Region relating to the fight against neighborhood noise,” the "Anthem of Europe"
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The Phantasmic, Phobic Body That We Share (2022)
3121 words & reading situation
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Dear Bethany (2022)
239 words, 110 footnotes, 3 appendices


2021-2022

Morphism Derivation (2021-2022)
Meta-score
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Meadowlands P.S. (2021-2022)
7'02'' audio for para-domestic listening


2018/2022

THE ANONYMOUS INTIMACY OF AUDIBILITY IS INDEED AN ALTERNATIVE TO REPRODUCTIVE SEXUALITY (2nd try) (2018/2022)
13'24'' of 3-channel audio for 3 domestic playback devices with 941 words of instruction


2021

EXPOSURE TO FREQUENCIES FROM 43-48Hz CAUSES THE WINDOW PANES ALONG THE WEST GALLERY WALL TO VIBRATE SYMPATHETICALLY SUCH THAT AT SUFFICIENT INTENSITY THEY WILL SHATTER (2021)
Inside & outside PAs passing sound through the carapace of the building at 11, 29, 34, 34, and 45 minutes after the hour, every hour
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Another Drought Twilight Finale Allegro I Know (2021)
Fan fic duo
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Each clap is always also for the world. (2021)
16 recordings of applause from 2020-2021 to be played during live applause


2020

The simplest way to get rid of information is to reduce the sensitivity of the receptors (2020)
Liminal displacements
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Strobe Light Sink Hole (2020)
Written with Slow Reading Club
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Singing is what makes work possible (Syllabus) (2020)
With Hong-Kai Wang


2019

Lag Monument ("By 2030 everything will be good) (2019)
Tutorial lag for a percussionist, children, and audience members
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Mood Melody (2019), notes for K.W.
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"Singing is what makes work possible" (2019)
4 episodes in cooperation with Hong-Kai Wang
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Lag Monument (2019)
A score for micro-rhythmic interpolation


2018

"Oh my god, Michelle - it's taken me so long to come to you!"; or, The Thaw (2018)
11 tracks of repeating stereo-audio (7'04'') and 11 texts for E.J.
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Literacy of the Throat (2018)
A Meeting in cooperation with Hong-Kai Wang and Chris Mann
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TOTALE ARCHITEKTUR (2018)
6 scores for spatial reading & 18 channels of generative audio, in collaboration with Janina Janke


2017

L'école de la claque (2017)
A claque in 46 instances, book & performance
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Co-op sonore (2017)
8 channels of audio diffused via synchronized mobile devices, in collaboration with Janina Janke and Julie Rüter
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STAVENHOFER LATENCY ARCHITECTURE (2017)
A sound-joined street in collaboration with Jordan Topiel Paul
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Music for DER MONOLOG (2017)
5 channels of audio on and adjacent to a stage, 2x 45'
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THIRST MAP (Breathe-Along) (2017)
2-channel audio, 9'32''


2016

Quatre refrains de la rue (2016)
19th c. gentrification dances for "HOME TOURISM," variable duration
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14.538 Meters for C., V., E., & C. (2016)
Pacing mnemonics, variable duration
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Kirnbach Hocket (2016)
Score and algorithm for Herbordt-Mohren's "Die öffentliche Probe," 90'
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Schlussapplaus (2016)
Claquerie académique, 30'


2015-2016

THIRST MAP (2015-2016)
Narrative & listenings, variable duration


2015

New House, Old Money, T.D. (2015)
Wavelength cartography, variable duration
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Essex Crossing Pedometer (2015)
8 sportswear rulers & wavelengths for real estate quantification, variable duration


2014

MUSTERHAUS (2014)
Sung spatial models in an empty department store, in collaboration with Janina Janke, 60'
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THE ANONYMOUS INTIMACY OF AUDIBILITY IS INDEED AN ALTERNATIVE TO REPRODUCTIVE SEXUALITY (2014)
Wavelength mats, spatial models, variable duration
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Britney Spears' "Everytime" (2014)
Earbud headphones, media player, score, 3'41''
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Nuvole Detail Study (2014)
Video, 1'31''


2013-2014

Nuvole Detail (2013-2014)
Media player, score, 7'46''
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Hypothetical Non-Attenuating Zuccotti Park Reflection Times (2013-2014)
Spatial models for group resyntheses of reflections, variable duration
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Nuvole Detail Prototype with Holiday Vignettes (2013-2014)
Tutorial prototype for continuous home-playback amplitude control, 10'40''


2013

Holiday Vignettes (2013), text
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Home Jetty (2013)
Rotating, continuous Tutorial, 11'32''


2012-2013

La claque et le moi (2012-2013)
Exhibition viewing situation & object rubric
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Adjacency Survey (2012-2013 / ongoing)
Montage stencil for 2-16 rooms and a single sound source, variable duration


2010-2013

LA PAROLE EST AUX USAGERS (2010-2013)
Meta-Tutorial in Collaboration with Janina Janke for the Unité d'Habitation in Marseille


2012

ALL DAY I'VE TRIED TO COMFORT HER (2012)
Video, 19'38'' [password on request]
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Peter Ablinger Sings Whitney Houston (2012)
Text, video, audio file


2010-2012

DAS WORT HABEN DIE BENÜTZER (2010-2012)
Meta-Tutorial in Collaboration with Janina Janke for the Unité d'Habitation in Berlin


2011

D'Assoucy Serenade (2011- )
Two-room, continuous Tutorial, 4'20''
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Forty & Forty-two Part Motet (2011- )
Multi-room, continuous Tutorial, 6'
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Il derubato che sorride (2011)
Video/tutorial addendum, 5'


2005/2011

Das Lied vom Wein (2005/2011)
Phrased Tutorial & scored seating, 4'44''


2010

Some Applause for Doug (2010)
Live & pre-recorded applause in a concert situation, electronics, variable duration
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DELUXE EDITION (2010)
Collaboration with Sebastian Biskup, performed installation (variable length), 3'30'' CD, 12' concert piece
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A golden-skinned Woman with Insects for Eyes (2010)
Collaboration with Sergei Tcherepnin, serge synthesizer, accordion, headphone tutorial configuration, 15'


2009-2010

Preemptive Paix du Parnasse (2009-2010)
Recorder, violin, cello, 9'
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3-Part Dances (2009-2010)
Continuous Tutorial, 13'49''


2008-2010

"Rhythms Around the Chair" (2008-2010)
Rotating, phrased Tutorial, 7'56''


2006-2010

Stereo Pacing (Torn Curtain) (2006-2010)
Single-room, phrased Tutorial, 7'39''
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Lo soffia il cielo...cosí (2006-2010)
Single-room, continuous Tutorial, 5'12''


2009

BATH TRACKS AND MOVEMENTS CONSOLATION (2009)
Sounds and movements, variable duration
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Eine Audienz mit dem Publikum (2009)
Video, 20'
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La claque vide (2009)
Reader, claque, & projected images in a concert situation, 25'
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She's dumb (2009)
Flute, vibraphone, piano, projected images, 24'


2008

Paragraph 7 (2008)
Text
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The Protectorate (2008)
Variable instrumentation, variable duration
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Not an Exemplary Individual (2008)
1'
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An Exemplary Individual (2008)
9 instruments played by children, 12'
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Some Applause for Omaha (2008)
Pre-recorded applause & live applause, 0'30''
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La claque d'Oslo (2008)
Claque in a concert situation, variable duration


2007

Leitmotifs (2007)
Text
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WATERLOO (2007)
9 instruments played by adults & children's choir, 12'
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La claque du Berlin (2007)
Claque in a public situation, variable duration
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TOGETHER WE WILL LOVE THE BEAT (2007)
8 beats for 8 days & CD distribution, variable duration & 3'24'' CD
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The Red Book and Tolerance (2007)
99 4'' lossless audio tracks on CD


2005-2007

GEFROR'NE TROPFEN, Cinema in the Form of a Song (2005-2007)
CD, Headphone, Loudspeaker, Texts, 60'


2006

Weisst du, leise flehen meine Lieder (2006)
Church congregation, variable duration
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Untitled Radio Piece (2006)
3 inserts for radio, 15'


2005

Das Lied vom Wein (2005)
CD & scored seating, 16' 9-5 and 5-9, "Ich grolle nicht" (2005)
Piano duet, 2'
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Koan 2/2004-2005 (2005)
Flute & piano, variable duration
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50 Studies (2005)
50 receeding recordings, 34'


2004-2005

6 little Pieces (2004-2005)
Earbud headphones, media player, score, 4'


2004

The Possibility of Improvisation/The Impossibility of Music (2004)
Text
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After the Interval (Concert Piece imJC) (2004)
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6 Liedchen to W. (2004)
German speaker & English speaker, variable duration
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Audience Projection (2004)
Live concert situation generated video, variable duration (8'36'' in 2004)
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4 Chorales (2004)
Speaker & audience, variable duration
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Untitled ("Wie wunderbarlich ist doch diese Strafe") (2004)
Organ, ca. 9'
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Untitled ("Moonlight Sonata") (2004)
Piano, ca. 6'
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64 Pages for 1-64 Performers (2004)
Score & 1-64 performers, durations from 64-2080''
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6 Openings for Peter Ablinger (2004)
6 recordings, 4'


2003-2004

2 Pieces for 2 Performers & Music through Public Space (2003-2004)
2 performers, variable duration
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Berlin Song (2003-2004)
Speaker & audience, variable duration


2003

Concert Text (2003)
Text, variable duration
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Triple Concert Piece Neukölln (2003)
Choir & audience, 5'
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Eliding Ode Machine (2003)
Choir and electronics, variable duration
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"Consonance precedes consonants" (2003)
Piano, asymptotal durations


2002-2003

Fugue Subject (for J. Schulte-Sasse) (2002-2003)
2 uninstrumented scores, 1'' & 2'08''
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22 Consonants for Andrew Smith (2002-2003)
Piano(s) & performer, variable duration
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"After the Interval" (Concert Piece imJC) (2002-2003)
Live sampled concert situation, variable duration


2002

3-Months Study (2002)
2 violins, 4 bows, 3 performers, 3'15''
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Nocturne (2002)
Piano & multiple performers, 2 x 3'