Dates, Work, Publications, About

2023

Mismatch Negativity Accretion (2024)
60' & 3600 words in 18 iterations
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Sticky Bits (2024)
Score & listening practice
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Everything floated. My teeth are coming in. The stars intersect. (2023)
An iterative collective song for 2 musicians, variable duration, in collaboration with Hong-Kai Wang
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Jasmine mother's breaking heart taking over when mandarin orange causes must be. Rose with tanks guns but you see orange blossom. Oh civet zombie opopanax. (2023)
6'25'' audio for two loosely synced domestic playback devices & 1254 words


2022

Visiting Artist Lecture: Bill Dietz (2022)
3735 words & 27'28'' asynchronously broadcast audio
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Homebodies (2022)
4263 words & 26'43'' audio in collaboration with Katz Tepper (+ AI transcriber)
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My Ears, The Police (2022)
2337 words, the November 21, 2002 Government Order of the Brussels-Capital Region relating to the fight against neighborhood noise, the "Anthem of Europe"
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The Phantasmic, Phobic Body That We Share (2022)
3121 words & reading situation
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Dear Bethany (2022)
239 words, 110 footnotes, 3 appendices


2021-2022

Morphism Derivation (2021-2022)
Meta-score
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Meadowlands P.S. (2021-2022)
7'02'' audio for para-domestic listening


2018/2022

THE ANONYMOUS INTIMACY OF AUDIBILITY IS INDEED AN ALTERNATIVE TO REPRODUCTIVE SEXUALITY (2nd try) (2018/2022)
13'24'' of 3-channel audio for 3 domestic playback devices with 941 words of instruction


2021

EXPOSURE TO FREQUENCIES FROM 43-48Hz CAUSES THE WINDOW PANES ALONG THE WEST GALLERY WALL TO VIBRATE SYMPATHETICALLY SUCH THAT AT SUFFICIENT INTENSITY THEY WILL SHATTER (2021)
Inside & outside PAs passing sound through the carapace of the building at 11, 29, 34, 34, and 45 minutes after the hour, every hour
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Because of love I try to learn to want to sleep. (2021)
2 parallel texts (412 + 473 words)
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Another Drought Twilight Finale Allegro I Know (2021)
Fan fic duo
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Each clap is always also for the world. (2021)
16 recordings of applause from 2020-2021 to be played during live applause


2020

The simplest way to get rid of information is to reduce the sensitivity of the receptors (2020)
Liminal displacements
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Strobe Light Sink Hole (2020)
Written with Slow Reading Club
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Singing is what makes work possible (Syllabus) (2020)
With Hong-Kai Wang


2019

Lag Monument ("By 2030 everything will be good) (2019)
Tutorial lag for a percussionist, children, and audience members
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Mood Melody (2019), notes for K.W.
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"Singing is what makes work possible" (2019)
4 episodes in cooperation with Hong-Kai Wang
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Lag Monument (2019)
A score for micro-rhythmic interpolation


2018

"Oh my god, Michelle - it's taken me so long to come to you!"; or, The Thaw (2018)
11 tracks of repeating stereo-audio (7'04'') and 11 texts for E.J.
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Literacy of the Throat (2018)
A Meeting in cooperation with Hong-Kai Wang and Chris Mann
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TOTALE ARCHITEKTUR (2018)
6 scores for spatial reading & 18 channels of generative audio, in collaboration with Janina Janke


2017

L' cole de la claque (2017)
A claque in 46 instances, book & performance
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Co-op sonore (2017)
8 channels of audio diffused via synchronized mobile devices, in collaboration with Janina Janke and Julie R ter
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STAVENHOFER LATENCY ARCHITECTURE (2017)
A sound-joined street in collaboration with Jordan Topiel Paul
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Music for DER MONOLOG (2017)
5 channels of audio on and adjacent to a stage, 2x 45'
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THIRST MAP (Breathe-Along) (2017)
2-channel audio, 9'32''


2016

Quatre refrains de la rue (2016)
19th c. gentrification dances for "HOME TOURISM," variable duration
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14.538 Meters for C., V., E., & C. (2016)
Pacing mnemonics, variable duration
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Kirnbach Hocket (2016)
Score and algorithm for Herbordt-Mohren's "Die ffentliche Probe," 90'
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Schlussapplaus (2016)
Claquerie acad mique, 30'


2015-2016

THIRST MAP (2015-2016)
Narrative & listenings, variable duration


2015

New House, Old Money, T.D. (2015)
Wavelength cartography, variable duration
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Essex Crossing Pedometer (2015)
8 sportswear rulers & wavelengths for real estate quantification, variable duration


2014

MUSTERHAUS (2014)
Sung spatial models in an empty department store, in collaboration with Janina Janke, 60'
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THE ANONYMOUS INTIMACY OF AUDIBILITY IS INDEED AN ALTERNATIVE TO REPRODUCTIVE SEXUALITY (2014)
Wavelength mats, spatial models, variable duration
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Britney Spears' "Everytime" (2014)
Earbud headphones, media player, score, 3'41''
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Nuvole Detail Study (2014)
Video, 1'31''


2013-2014

Nuvole Detail (2013-2014)
Media player, score, 7'46''
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Hypothetical Non-Attenuating Zuccotti Park Reflection Times (2013-2014)
Spatial models for group resyntheses of reflections, variable duration
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Nuvole Detail Prototype with Holiday Vignettes (2013-2014)
Tutorial prototype for continuous home-playback amplitude control, 10'40''


2013

Holiday Vignettes (2013), text
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Home Jetty (2013)
Rotating, continuous Tutorial, 11'32''


2012-2013

La claque et le moi (2012-2013)
Exhibition viewing situation & object rubric
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Adjacency Survey (2012-2013 / ongoing)
Montage stencil for 2-16 rooms and a single sound source, variable duration


2010-2013

LA PAROLE EST AUX USAGERS (2010-2013)
Meta-Tutorial in Collaboration with Janina Janke for the Unit d'Habitation in Marseille


2012

ALL DAY I'VE TRIED TO COMFORT HER (2012)
Video, 19'38'' [password on request]
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Peter Ablinger Sings Whitney Houston (2012)
Text, video, audio file


2010-2012

DAS WORT HABEN DIE BEN TZER (2010-2012)
Meta-Tutorial in Collaboration with Janina Janke for the Unit d'Habitation in Berlin


2011

D'Assoucy Serenade (2011- )
Two-room, continuous Tutorial, 4'20''
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Forty & Forty-two Part Motet (2011- )
Multi-room, continuous Tutorial, 6'
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Il derubato che sorride (2011)
Video/tutorial addendum, 5'


2005/2011

Das Lied vom Wein (2005/2011)
Phrased Tutorial & scored seating, 4'44''


2010

Some Applause for Doug (2010)
Live & pre-recorded applause in a concert situation, electronics, variable duration
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DELUXE EDITION (2010)
Collaboration with Sebastian Biskup, performed installation (variable length), 3'30'' CD, 12' concert piece
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A golden-skinned Woman with Insects for Eyes (2010)
Collaboration with Sergei Tcherepnin, serge synthesizer, accordion, headphone tutorial configuration, 15'


2009-2010

Preemptive Paix du Parnasse (2009-2010)
Recorder, violin, cello, 9'
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3-Part Dances (2009-2010)
Continuous Tutorial, 13'49''


2008-2010

"Rhythms Around the Chair" (2008-2010)
Rotating, phrased Tutorial, 7'56''


2006-2010

Stereo Pacing (Torn Curtain) (2006-2010)
Single-room, phrased Tutorial, 7'39''
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Lo soffia il cielo...cos (2006-2010)
Single-room, continuous Tutorial, 5'12''


2009

BATH TRACKS AND MOVEMENTS CONSOLATION (2009)
Sounds and movements, variable duration
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Eine Audienz mit dem Publikum (2009)
Video, 20'
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La claque vide (2009)
Reader, claque, & projected images in a concert situation, 25'
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She's dumb (2009)
Flute, vibraphone, piano, projected images, 24'


2008

Paragraph 7 (2008)
Text
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The Protectorate (2008)
Variable instrumentation, variable duration
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Not an Exemplary Individual (2008)
1'
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An Exemplary Individual (2008)
9 instruments played by children, 12'
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Some Applause for Omaha (2008)
Pre-recorded applause & live applause, 0'30''
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La claque d'Oslo (2008)
Claque in a concert situation, variable duration


2007

Leitmotifs (2007)
Text
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WATERLOO (2007)
9 instruments played by adults & children's choir, 12'
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La claque du Berlin (2007)
Claque in a public situation, variable duration
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TOGETHER WE WILL LOVE THE BEAT (2007)
8 beats for 8 days & CD distribution, variable duration & 3'24'' CD
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The Red Book and Tolerance (2007)
99 4'' lossless audio tracks on CD


2005-2007

GEFROR'NE TROPFEN, Cinema in the Form of a Song (2005-2007)
CD, Headphone, Loudspeaker, Texts, 60'


2006

Weisst du, leise flehen meine Lieder (2006)
Church congregation, variable duration
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Untitled Radio Piece (2006)
3 inserts for radio, 15'


2005

Das Lied vom Wein (2005)
CD & scored seating, 16' 9-5 and 5-9, "Ich grolle nicht" (2005)
Piano duet, 2'
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Koan 2/2004-2005 (2005)
Flute & piano, variable duration
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50 Studies (2005)
50 receeding recordings, 34'


2004-2005

6 little Pieces (2004-2005)
Earbud headphones, media player, score, 4'


2004

The Possibility of Improvisation/The Impossibility of Music (2004)
Text
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After the Interval (Concert Piece imJC) (2004)
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6 Liedchen to W. (2004)
German speaker & English speaker, variable duration
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Audience Projection (2004)
Live concert situation generated video, variable duration (8'36'' in 2004)
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4 Chorales (2004)
Speaker & audience, variable duration
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Untitled ("Wie wunderbarlich ist doch diese Strafe") (2004)
Organ, ca. 9'
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Untitled ("Moonlight Sonata") (2004)
Piano, ca. 6'
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64 Pages for 1-64 Performers (2004)
Score & 1-64 performers, durations from 64-2080''
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6 Openings for Peter Ablinger (2004)
6 recordings, 4'


2003-2004

2 Pieces for 2 Performers & Music through Public Space (2003-2004)
2 performers, variable duration
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Berlin Song (2003-2004)
Speaker & audience, variable duration


2003

Concert Text (2003)
Text, variable duration
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Triple Concert Piece Neuk lln (2003)
Choir & audience, 5'
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Eliding Ode Machine (2003)
Choir and electronics, variable duration
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"Consonance precedes consonants" (2003)
Piano, asymptotal durations


2002-2003

Fugue Subject (for J. Schulte-Sasse) (2002-2003)
2 uninstrumented scores, 1'' & 2'08''
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22 Consonants for Andrew Smith (2002-2003)
Piano(s) & performer, variable duration
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"After the Interval" (Concert Piece imJC) (2002-2003)
Live sampled concert situation, variable duration


2002

3-Months Study (2002)
2 violins, 4 bows, 3 performers, 3'15''
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Nocturne (2002)
Piano & multiple performers, 2 x 3'