Dates,
Work,
Publications,
About
2023
Mismatch Negativity Accretion (2024)
60' & 3600 words in 18 iterations
+
Sticky Bits (2024)
Score & listening practice
+
Everything floated. My teeth are coming in. The stars intersect. (2023)
An iterative collective song for 2 musicians, variable duration, in collaboration with Hong-Kai Wang
+
Jasmine mother's breaking heart taking over when mandarin orange causes must be. Rose with tanks guns but you see orange blossom. Oh civet zombie opopanax. (2023)
6'25'' audio for two loosely synced domestic playback devices & 1254 words
2022
Visiting Artist Lecture: Bill Dietz (2022)
3735 words & 27'28'' asynchronously broadcast audio
+
Homebodies (2022)
4263 words & 26'43'' audio in collaboration with Katz Tepper (+ AI transcriber)
+
My Ears, The Police (2022)
2337 words, the November 21, 2002 Government Order of the Brussels-Capital Region relating to the fight against neighborhood noise, the "Anthem of Europe"
+
The Phantasmic, Phobic Body That We Share (2022)
3121 words & reading situation
+
Dear Bethany (2022)
239 words, 110 footnotes, 3 appendices
2021-2022
Morphism Derivation (2021-2022)
Meta-score
+
Meadowlands P.S. (2021-2022)
7'02'' audio for para-domestic listening
2018/2022
THE ANONYMOUS INTIMACY OF AUDIBILITY IS INDEED AN ALTERNATIVE TO REPRODUCTIVE SEXUALITY (2nd try) (2018/2022)
13'24'' of 3-channel audio for 3 domestic playback devices with 941 words of instruction
2021
EXPOSURE TO FREQUENCIES FROM 43-48Hz CAUSES THE WINDOW PANES ALONG THE WEST GALLERY WALL TO VIBRATE SYMPATHETICALLY SUCH THAT AT SUFFICIENT INTENSITY THEY WILL SHATTER (2021)
Inside & outside PAs passing sound through the carapace of the building at 11, 29, 34, 34, and 45 minutes after the hour, every hour
+
Because of love I try to learn to want to sleep. (2021)
2 parallel texts (412 + 473 words)
+
Another Drought Twilight Finale Allegro I Know (2021)
Fan fic duo
+
Each clap is always also for the world. (2021)
16 recordings of applause from 2020-2021 to be played during live applause
2020
The simplest way to get rid of information is to reduce the sensitivity of the receptors (2020)
Liminal displacements
+
Strobe Light Sink Hole (2020)
Written with Slow Reading Club
+
Singing is what makes work possible (Syllabus) (2020)
With Hong-Kai Wang
2019
Lag Monument ("By 2030 everything will be good) (2019)
Tutorial lag for a percussionist, children, and audience members
+
Mood Melody (2019), notes for K.W.
+
"Singing is what makes work possible" (2019)
4 episodes in cooperation with Hong-Kai Wang
+
Lag Monument (2019)
A score for micro-rhythmic interpolation
2018
"Oh my god, Michelle - it's taken me so long to come to you!"; or, The Thaw (2018)
11 tracks of repeating stereo-audio (7'04'') and 11 texts for E.J.
+
Literacy of the Throat (2018)
A Meeting in cooperation with Hong-Kai Wang and Chris Mann
+
TOTALE ARCHITEKTUR (2018)
6 scores for spatial reading & 18 channels of generative audio, in collaboration with Janina Janke
2017
L' cole de la claque (2017)
A claque in 46 instances, book & performance
+
Co-op sonore (2017)
8 channels of audio diffused via synchronized mobile devices, in collaboration with Janina Janke and Julie R ter
+
STAVENHOFER LATENCY ARCHITECTURE (2017)
A sound-joined street in collaboration with Jordan Topiel Paul
+
Music for DER MONOLOG (2017)
5 channels of audio on and adjacent to a stage, 2x 45'
+
THIRST MAP (Breathe-Along) (2017)
2-channel audio, 9'32''
2016
Quatre refrains de la rue (2016)
19th c. gentrification dances for "HOME TOURISM," variable duration
+
14.538 Meters for C., V., E., & C. (2016)
Pacing mnemonics, variable duration
+
Kirnbach Hocket (2016)
Score and algorithm for Herbordt-Mohren's "Die ffentliche Probe," 90'
+
Schlussapplaus (2016)
Claquerie acad mique, 30'
2015-2016
THIRST MAP (2015-2016)
Narrative & listenings, variable duration
2015
New House, Old Money, T.D. (2015)
Wavelength cartography, variable duration
+
Essex Crossing Pedometer (2015)
8 sportswear rulers & wavelengths for real estate quantification, variable duration
2014
MUSTERHAUS (2014)
Sung spatial models in an empty department store, in collaboration with Janina Janke, 60'
+
THE ANONYMOUS INTIMACY OF AUDIBILITY IS INDEED AN ALTERNATIVE TO REPRODUCTIVE SEXUALITY (2014)
Wavelength mats, spatial models, variable duration
+
Britney Spears' "Everytime" (2014)
Earbud headphones, media player, score, 3'41''
+
Nuvole Detail Study (2014)
Video, 1'31''
2013-2014
Nuvole Detail (2013-2014)
Media player, score, 7'46''
+
Hypothetical Non-Attenuating Zuccotti Park Reflection Times (2013-2014)
Spatial models for group resyntheses of reflections, variable duration
+
Nuvole Detail Prototype with Holiday Vignettes (2013-2014)
Tutorial prototype for continuous home-playback amplitude control, 10'40''
2013
Holiday Vignettes (2013), text
+
Home Jetty (2013)
Rotating, continuous Tutorial, 11'32''
2012-2013
La claque et le moi (2012-2013)
Exhibition viewing situation & object rubric
+
Adjacency Survey (2012-2013 / ongoing)
Montage stencil for 2-16 rooms and a single sound source, variable duration
2010-2013
LA PAROLE EST AUX USAGERS (2010-2013)2012
ALL DAY I'VE TRIED TO COMFORT HER (2012)2010-2012
DAS WORT HABEN DIE BEN TZER (2010-2012)
Meta-Tutorial in Collaboration with Janina Janke for the Unit d'Habitation in Berlin
2011
D'Assoucy Serenade (2011- )
Two-room, continuous Tutorial, 4'20''
+
Forty & Forty-two Part Motet (2011- )
Multi-room, continuous Tutorial, 6'
+
Il derubato che sorride (2011)
Video/tutorial addendum, 5'
2005/2011
Das Lied vom Wein (2005/2011)2010
Some Applause for Doug (2010)2009-2010
Preemptive Paix du Parnasse (2009-2010)2008-2010
"Rhythms Around the Chair" (2008-2010)2006-2010
Stereo Pacing (Torn Curtain) (2006-2010)2009
BATH TRACKS AND MOVEMENTS CONSOLATION (2009)2008
Paragraph 7 (2008)2007
Leitmotifs (2007)2005-2007
GEFROR'NE TROPFEN, Cinema in the Form of a Song (2005-2007)2006
Weisst du, leise flehen meine Lieder (2006)2005
Das Lied vom Wein (2005)2004-2005
6 little Pieces (2004-2005)2004
The Possibility of Improvisation/The Impossibility of Music (2004)2003-2004
2 Pieces for 2 Performers & Music through Public Space (2003-2004)2003
Concert Text (2003)2002-2003
Fugue Subject (for J. Schulte-Sasse) (2002-2003)2002
3-Months Study (2002)