Dates,
Work,
Publications,
About
2022
Homebodies(2022)
4263 words & 26'43'' audio in collaboration with Katz Tepper (+ AI transcriber)
+
My Ears, The Police (2022)
2337 words, the “November 21, 2002 Government Order of the Brussels-Capital Region relating to the fight against neighborhood noise,” the "Anthem of Europe"
+
The Phantasmic, Phobic Body That We Share (2022)
3121 words & reading situation
+
Dear Bethany (2022)
239 words, 110 footnotes, 3 appendices
2021-2022
Morphism Derivation (2021-2022)
Meta-score
+
Meadowlands P.S. (2021-2022)
7'02'' audio for para-domestic listening
2018/2022
THE ANONYMOUS INTIMACY OF AUDIBILITY IS INDEED AN ALTERNATIVE TO REPRODUCTIVE SEXUALITY (2nd try) (2018/2022)
13'24'' of 3-channel audio for 3 domestic playback devices with 941 words of instruction
2021
EXPOSURE TO FREQUENCIES FROM 43-48Hz CAUSES THE WINDOW PANES ALONG THE WEST GALLERY WALL TO VIBRATE SYMPATHETICALLY SUCH THAT AT SUFFICIENT INTENSITY THEY WILL SHATTER (2021)
Inside & outside PAs passing sound through the carapace of the building at 11, 29, 34, 34, and 45 minutes after the hour, every hour
+
Because of love I try to learn to want to sleep. (2021)
2 parallel texts (412 + 473 words)
+
Another Drought Twilight Finale Allegro I Know (2021)
Fan fic duo
+
Each clap is always also for the world. (2021)
16 recordings of applause from 2020-2021 to be played during live applause
2020
The simplest way to get rid of information is to reduce the sensitivity of the receptors (2020)
Liminal displacements
+
Strobe Light Sink Hole (2020)
Written with Slow Reading Club
+
Singing is what makes work possible (Syllabus) (2020)
With Hong-Kai Wang
2019
Lag Monument ("By 2030 everything will be good) (2019)
Tutorial lag for a percussionist, children, and audience members
+
Mood Melody (2019), notes for K.W.
+
"Singing is what makes work possible" (2019)
4 episodes in cooperation with Hong-Kai Wang
+
Lag Monument (2019)
A score for micro-rhythmic interpolation
2018
"Oh my god, Michelle - it's taken me so long to come to you!"; or, The Thaw (2018)
11 tracks of repeating stereo-audio (7'04'') and 11 texts for E.J.
+
Literacy of the Throat (2018)
A Meeting in cooperation with Hong-Kai Wang and Chris Mann
+
TOTALE ARCHITEKTUR (2018)
6 scores for spatial reading & 18 channels of generative audio, in collaboration with Janina Janke
2017
L'école de la claque (2017)
A claque in 46 instances, book & performance
+
Co-op sonore (2017)
8 channels of audio diffused via synchronized mobile devices, in collaboration with Janina Janke and Julie Rüter
+
STAVENHOFER LATENCY ARCHITECTURE (2017)
A sound-joined street in collaboration with Jordan Topiel Paul
+
Music for DER MONOLOG (2017)
5 channels of audio on and adjacent to a stage, 2x 45'
+
THIRST MAP (Breathe-Along) (2017)
2-channel audio, 9'32''
2016
Quatre refrains de la rue (2016)
19th c. gentrification dances for "HOME TOURISM," variable duration
+
14.538 Meters for C., V., E., & C. (2016)
Pacing mnemonics, variable duration
+
Kirnbach Hocket (2016)
Score and algorithm for Herbordt-Mohren's "Die öffentliche Probe," 90'
+
Schlussapplaus (2016)
Claquerie académique, 30'
2015-2016
THIRST MAP (2015-2016)
Narrative & listenings, variable duration
2015
New House, Old Money, T.D. (2015)
Wavelength cartography, variable duration
+
Essex Crossing Pedometer (2015)
8 sportswear rulers & wavelengths for real estate quantification, variable duration
2014
MUSTERHAUS (2014)
Sung spatial models in an empty department store, in collaboration with Janina Janke, 60'
+
THE ANONYMOUS INTIMACY OF AUDIBILITY IS INDEED AN ALTERNATIVE TO REPRODUCTIVE SEXUALITY (2014)
Wavelength mats, spatial models, variable duration
+
Britney Spears' "Everytime" (2014)
Earbud headphones, media player, score, 3'41''
+
Nuvole Detail Study (2014)
Video, 1'31''
2013-2014
Nuvole Detail (2013-2014)
Media player, score, 7'46''
+
Hypothetical Non-Attenuating Zuccotti Park Reflection Times (2013-2014)
Spatial models for group resyntheses of reflections, variable duration
+
Nuvole Detail Prototype with Holiday Vignettes (2013-2014)
Tutorial prototype for continuous home-playback amplitude control, 10'40''
2013
Holiday Vignettes (2013), text
+
Home Jetty (2013)
Rotating, continuous Tutorial, 11'32''
2012-2013
La claque et le moi (2012-2013)
Exhibition viewing situation & object rubric
+
Adjacency Survey (2012-2013 / ongoing)
Montage stencil for 2-16 rooms and a single sound source, variable duration
2010-2013
LA PAROLE EST AUX USAGERS (2010-2013)2012
ALL DAY I'VE TRIED TO COMFORT HER (2012)2010-2012
DAS WORT HABEN DIE BENÜTZER (2010-2012)
Meta-Tutorial in Collaboration with Janina Janke for the Unité d'Habitation in Berlin
2011
D'Assoucy Serenade (2011- )
Two-room, continuous Tutorial, 4'20''
+
Forty & Forty-two Part Motet (2011- )
Multi-room, continuous Tutorial, 6'
+
Il derubato che sorride (2011)
Video/tutorial addendum, 5'
2005/2011
Das Lied vom Wein (2005/2011)2010
Some Applause for Doug (2010)2009-2010
Preemptive Paix du Parnasse (2009-2010)2008-2010
"Rhythms Around the Chair" (2008-2010)2006-2010
Stereo Pacing (Torn Curtain) (2006-2010)2009
BATH TRACKS AND MOVEMENTS CONSOLATION (2009)2008
Paragraph 7 (2008)2007
Leitmotifs (2007)2005-2007
GEFROR'NE TROPFEN, Cinema in the Form of a Song (2005-2007)2006
Weisst du, leise flehen meine Lieder (2006)2005
Das Lied vom Wein (2005)2004-2005
6 little Pieces (2004-2005)2004
The Possibility of Improvisation/The Impossibility of Music (2004)2003-2004
2 Pieces for 2 Performers & Music through Public Space (2003-2004)2003
Concert Text (2003)2002-2003
Fugue Subject (for J. Schulte-Sasse) (2002-2003)2002
3-Months Study (2002)